In Chinese mythology, the Sun is not merely a celestial body but a divine entity governed by the Sun Goddess, Xi He. As the "mother of light and warmth," Xi He holds a central role in the cosmological order, overseeing her ten sons who take turns illuminating the world. This narrative not only explains the daily cycle of light but also reflects the cultural shifts in ancient Chinese society.
According to the legend, Xi He’s ten sons resided in Yanggu (the Yang Valley), located near the sea. Their home featured the divine Fusang tree, a massive structure piercing through the clouds, which served as the resting place for the ten suns. The brothers maintained a remarkably efficient work schedule: one sun would work each day, while the other nine enjoyed a nine-day rest.
Xi He, however, did not have the luxury of such a rotation. Her role was constant, ensuring no weekends for the "mother of light." Each day before dawn, she would hitch up her carriage, drawn by six magnificent dragons, to retrieve the son on duty. Together, they would race across the sky, bringing forth life and warmth to all living things.
The journey across the sky was a highly structured routine. As they moved, the carriage would make stops to indicate the passing of each hour. The end of the daylight cycle was marked by a moment known as Xuan Che (literally "hanging up the carriage"). This term, which also symbolizes the age of 70 in Chinese culture, signifies the time when one should "go back to your hometown" and rest. After this point, the son on duty would disembark to walk to Yu Yuan, allowing the golden rays to fade and the sky to darken, while Xi He returned to begin the cycle anew.
Beyond driving the carriage, Xi He was also known for "bathing the sun," a ritual where she would wash her sons to ensure they remained "sparkly clean" to shine brighter in the heavens. This nurturing imagery underscores her identity as a tireless mother providing for her children.
The podcast highlights an important academic distinction regarding the origins of these myths. While some traditions claim the sun and moon originated from the eyes of the giant Pangu, the story of Xi He represents a distinct mythological tradition originating in ancient matriarchal societies.
As these societies were gradually replaced by patriarchal structures, the status of female deities like Xi He underwent significant revision. Historical accounts often attempted to diminish her power, with some texts reclassifying her as merely the "wife of the Lord of Heaven," reducing her from an independent goddess to a mere "driver" for her sons, or even attempting to change her gender to male.
Despite the historical efforts to reshape her narrative, the figure of Xi He remains a powerful symbol of maternal dedication and celestial order. By managing both her "S-U-N-S and S-O-N-S," she serves as the enduring force behind the daily cycle of light. Her story, alongside that of the moon goddess Chang Xi (who governs the twelve moons), provides a fascinating window into the evolution of Chinese mythology and the changing social structures of the ancient world.