The narrative centers on a protagonist who finds herself in a state of panic after an unexpected escalation in her relationship with a married man named Nicholas. Describing her mental state as a "blur" where she "blacked out," she struggles to reconcile her casual flirting with the sudden, serious consequence of Nicholas planning to leave his wife. The dialogue highlights the disconnect between her intentions—which she frames as a "fun distraction" akin to "a couple of kisses, a dry hump here and there"—and the reality of the situation.
Central to the protagonist's self-perception is the identity of the "almost girl." She confesses, "I’m the almost girl! I almost lost my virginity 25 times." This recurring pattern of behavior suggests a psychological barrier where she thrives on the anticipation and the proximity to life-changing events without ever fully committing to the consequences. Her friend Max provides a cynical reality check, noting that she is "the type of person who almost wants him to leave his wife," perfectly capturing the protagonist's internal conflict between fantasy and action.
Throughout the conversation, the characters deconstruct the language of infidelity. Max dismisses Nicholas’s promises, suggesting that "I'm leaving my wife for you" is merely a line used to "get them into bed," comparable to claiming to be a "Russian prince." However, the tension spikes when Nicholas sets a specific "time frame" for the breakup, moving the situation from hypothetical to imminent. The absurdity of the situation is heightened by the realization that Nicholas plans to end his marriage via Skype, which Max ironically describes as "low and smart."
Driven by the need to halt the impending destruction of a marriage, the protagonist decides she must tell Nicholas "face to face" that she wants to end their affair. Her reluctance is palpable, as she admits, "I don't even have sex face to face," highlighting her discomfort with genuine intimacy and confrontation.
The climax occurs when she visits Nicholas to deliver her ultimatum. Despite her attempt to distance herself by claiming, "I am not the type of person who breaks up marriages," she is met with a startling revelation. Nicholas confirms that he is indeed ending his marriage, not over Skype as feared, but in person, as his wife is waiting "in the lobby." This twist forces the "almost girl" to confront the tangible, messy reality of a situation she previously treated as a mere fantasy, effectively ending her role as an observer and forcing her into the center of a life-altering event.