In the city of Verona, Italy, a quiet revolution is taking place on the walls of public buildings. Where hateful symbols and neo-fascist slogans once stood, vibrant murals of Italian food now bloom. This transformation is the work of Pier Paolo Spinazzi, better known as "Cibo" (the Italian word for "food"). Cibo’s mission is simple yet profound: to reclaim his city from the grip of intolerance and combat the rising tide of neo-fascism through the universal language of art.
Cibo’s artistic activism was born from personal tragedy. Over a decade ago, a friend of his was killed by a group of neo-fascists. This horrific event served as a turning point for the artist. Confronted with the hateful graffiti that plagued his city, Cibo decided that he could no longer remain a passive observer. He began covering swastikas and racist slurs with colorful paintings—initially starting with images of sausages.
What began as a singular act of defiance evolved into a persistent pattern. When neo-fascists would deface his murals, Cibo would simply return, adding more detail and complexity to his work, eventually turning the vandalism into an elaborate, beautiful "entire meal." Cibo describes his adversaries as a "bunch of cowards," noting that their attempts to ruin his work only served to make his murals more famous and detailed.
For Cibo, the struggle is not merely about covering up offensive paint; it is about challenging the "growing acceptance of hate" within Italian society. He observes that incidents of bigotry—such as the mistreatment of homeless individuals or racist displays at sports stadiums—are often dismissed by the public as mere "pranks." By consistently replacing hate-filled messages with images of food, Cibo aims to spark a cultural shift toward unity and empathy.
He argues that while neo-fascists use violence to enforce a narrow, exclusionary worldview, his art provides a counter-narrative. He believes that "food is something that brings people together." By choosing food as his medium, he emphasizes the comfort and joy that transcend cultural boundaries, making it "harder to hate" those we actually get to know.
One of Cibo’s most poignant symbols is the caprese salad. While often viewed as a quintessentially Italian dish, Cibo uses it to illustrate a deeper truth about identity. He points out that the ingredients—basil from India, oil from Syria, tomatoes from Colombia, and Italian mozzarella—represent a global heritage.
By painting this dish, Cibo sends a powerful message: Italy, like the caprese, is a composite of diverse influences. He rejects the neo-fascist belief that Italy should be a singular, closed entity. Instead, he presents a vision of a country that is "full of spice and flavour," where the nation's identity is strengthened, not diminished, by its diverse population.
Over the past ten years, Cibo has garnered significant support, boasting over 350,000 followers on social media who assist him in identifying and reporting hateful graffiti. Despite receiving death threats, he remains undeterred. His work serves as a reminder that even in the face of extremist ideology, the creative spirit can foster dialogue and connection. Through his murals, Cibo transforms the "crude" and "hateful" into a communal feast, proving that art can be a potent weapon in the fight for a more inclusive and compassionate society.