Welcome to Spotlight.
I'm Liz Waid.
And I'm Adam Navis.
Spotlight uses a special English method of broadcasting.
It is easier for people to understand, no matter where in the world they live.
Wiam Simav Bedirhan is a schoolteacher from Homs, Syria.
Since 2011, her country has been fighting a civil war.
Fighting between the government and rebel forces has been very bad.
And officials have closed all the schools in homes.
So Bedirhan can no longer work.
Today, Bedirhan follows a little boy named Omar around homes.
She is using a camera to film his day.
Bombs have destroyed the city.
But Omar has still created places to play.
Omar shows Bedirhan the place where his father is buried.
Then, in the middle of a street ruined by bombs, Omar finds a flower.
After this, Omar and Bedirhan run from a soldier.
Bedirhan is very afraid.
Later in the day, from behind the camera, she says Will I die of torture in the back room of a rebel leader?
This story is part of a film about Syria's civil war.
It is a film about real life.
And it was recorded by normal Syrian citizens like Bedirhan.
Today's Spotlight is on the film Silvered Water – Syria Self-Portrait.
Asama Mohammed is a famous Syrian filmmaker.
However, now he lives far away from Syria, in Paris, France.
Mohammed spent most of his life in Syria.
For many years, he worked for the Syrian government's Ministry of Culture.
He made films about Syrian life and culture.
He loved his country.
Then, in May of 2011, Mohammed travelled to France.
He went to show one of his films at the famous Cannes Film Festival.
At the time, people in Syria were protesting against the government.
And the government was arresting protesters.
While Mohammed was in Paris, he spoke on television.
He encouraged the Syrian government to release political prisoners.
After his public statements, individuals in Syria began threatening him.
They sent him death threats.
They said that if he returned to Syria, they would kill him.
He could not return to his country, so he stayed in Paris.
But being in Paris was very difficult.
He was safe there, But it was not easy.
Every day, he looked at images of the Syrian civil war in the newspaper and on the internet.
He felt sad because there was nothing he could do.
He told Unifrance Press, I felt at war on a personal level.
It was difficult for me to admit that I was outside Syria and that people kept being killed over there.
I was going through a very dark, painful time.
I asked myself at every chance, what can I do for my people?
Back in Syria, Wiam Simav Bedirhan was wondering the same thing.
What can I do for my people?
Officials in homes had closed the schools.
And Bedirhan had to stop teaching.
But she wanted to do something.
War was destroying her country.
Children were dying.
People were starving.
And many of her students' parents had died in the war.
Bedir Khan decided she wanted to film the tragic events she saw around her.
But she did not know exactly what to film or how.
So she emailed Asama Mohammed Badir Khan had never met Mohammed.
But she knew he was a famous filmmaker.
She asked him, If your camera were here, in Holmes, what would you be filming?
Mohamed and Bedirhan began communicating using email.
He told her to film everything she possibly could.
So Bedirhan did.
She slept with her camera.
She woke up with her camera by her side.
She spent time with children on the streets of homes.
She filmed soldiers taking women.
She filmed destroyed buildings and public spaces.
She filmed men crying over the bodies of their sons.
And everything she filmed, she sent to Mohammed over the internet.
For two years, Badr Khan and Mohammed worked together.
They wrote each other about their struggles.
They talked about the war.
And they began to make a film about the Syrian people.
But to tell the story well, they wanted to use more than just Badir Khan's story.
So Mohammed and Badir Khan spent many months looking on the internet for images and videos made by Syrian citizens.
These images were recorded by protesters soldiers fathers mothers, children and even people who died later in the war.
Mohammed mixed thousands of these images with Badr Khan's recordings.
And the result was a powerful witness to life during the war.
The film also contains Mohammed and Badr Khan's voices telling their thoughts and experiences.
And it includes beautiful music.
The Arab singer Noma Omran sings songs of mourning that play along with the images.
Together, these images and sounds create the film Silvered Water, Syria Self-Portrait.
Silvered Water is a translation of Badir Khan's name, Simov.
Silvered Water has played at film competitions all around the world.
In October of 2014, the film won Best Documentary at the London Film Festival.
Sophie Fiennes is an English film director and producer.
She spoke at the official award announcement.
In her speech she said The film is hard to watch because the fact of war is and should be impossible to watch.
Bedir Khan's desire to be a dependable witness is full of emotion and courage.
The way she tries to understand and survive her terrible situation in Homs is deeply moving.
Osama Mohammed's exile in Paris is also powerful.
He represents our own safe distance from the war.
But the miracle of the film is how it involves us.
The Syrian conflict has been a terrible war.
In the last three years, six and a half million Syrians have fled their homes.
Three million have fled their country.
Hundreds of thousands of Syrians have died, and even more now live in extreme poverty and danger.
For many of us, war seems very far away.
We may see quick images on our television screens.
But often, the reality of war is not always clear.
Distance can make war seem cleaner or safer than it is.
But today, normal citizens have the power to show the world what war is like.
And this is what the Syrian people have done in silvered water.
Through this film, the Syrian people have a voice.
And their acts of filming have become a united act of witness for the world.
The writer of this program was Jen Hawkins.
The producer was Mark Drenth.
The voices you heard were from the United States and the United Kingdom.
All quotes were adapted and voiced by Spotlight.
You can listen to this program again, and read it, on the internet at www.radioenglish.net.
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We hope you can join us again for the next Spotlight program.
Goodbye.
