Hey, it's your friend Mel, and welcome to the Mel Robbins Podcast.
Have you ever read something and thought, how did they know exactly what I'm feeling?
Well, that's what happened to me when I read the remarkable bestselling book The Emperor of Gladness by Ocean Vaughn.
It is one of my favorite books of all time, because Ocean could just put words to emotions and experiences I didn't even know I had.
It held up a mirror to the moments I've buried.
It softened me in ways I didn't expect.
And it reminded me line by line, that beauty can still exist even in the hardest moments of life.
Ocean Vaughn writes like no one else.
He just has this ability to capture grief love, identity and hardship with a kind of honesty that doesn't just land, it lingers.
If your life doesn't look the way you thought it would by now, If you feel stuck, if you've been stretched thin and you're hiding how tired or lost you feel, if you've been quietly wondering does any of this matter?
You are exactly where you need to be right now.
This conversation will help you reconnect with yourself.
You'll hear what it means to build a meaningful life in the middle of uncertainty, hardship and struggle.
You'll and you'll walk away with a deeper sense of peace, purpose and permission to be exactly where you are and who you are.
Hey, it's your friend Mel, and welcome to the Mel Robbins Podcast.
I am so excited you're here.
It's such an honor to be together and to spend this time with you.
And if you're a new listener or you're here because somebody shared this with you well, I just want to take a moment and personally welcome you, the Mel Robbins Podcast family.
If you feel lost in life, today's guest will help you find purpose and meaning.
Ocean Vuong is a bestselling author and an award-winning poet.
His debut novel, On Earth, We're Briefly Gorgeous, became an instant New York Times bestseller.
It earned him the American Book Award, the Mark Twain Award, and the New England Book Award.
That same year, he received a MacArthur Genius Grant.
He's also the author of two celebrated poetry collections Night Sky with Exit Wounds, which won the TS.
Eliot Prize, and Time is a Mother, a finalist for the Griffin Poetry Prize.
His newest novel, The Emperor of Gladness, was chosen as Oprah's book club pick and debuted on the New York Times bestseller list.
And it's one of the best books I have ever read.
I give it to people as a gift over and over and over again.
And after I read the book I started researching more about Ocean and was so moved by some of the things he was sharing in interviews and some of the stuff he was writing about online I knew that I had to get him here on the podcast.
Ocean is currently a tenured professor of creative writing at NYU, where he teaches in the MFA program for poetry and poetics.
But what truly sets Ocean apart isn't the accolades.
It's the way he writes.
He puts words to what the rest of us only feel.
And somehow, he turns our quietest pain into something meaningful, even beautiful.
I cannot wait for you to meet Ocean.
So without further ado, please help me welcome Ocean Vaughn to the Mel Robbins Podcast.
Thank you so much for having me.
I am so excited to meet you.
I loved your book so much.
I've given it to so many people.
And I was absolutely honored when you said yes and said that you would come on and talk about purpose and feeling lost and about your work and the themes in your work.
So thank you for being here.
Oh, thank you so much for recognizing what I'm trying to do.
It's a deep, deep honor to be here and to share with this beautiful audience all around the world about what at the heart of what I'm trying to do.
Well, let's talk about that.
Let's talk about what is at the heart of what you're trying to do.
And if I really listen and take in everything that you will teach me today, how could my life change?
I hope people realize that, if they don't already, that a meaningful life is not a life that you use to prove to yourself or others that you are valuable.
A meaningful life is finding the power and the value where you are.
And what I love about that is that you're inviting us to consider that, wherever it is that you are, even if you envision some possibility beyond where you may be, that there is a way to feel dignity.
There's a way to feel proud of who you are and what you're doing, that there's beauty in the life that you're living right now, even though you may have a hope in your heart that things might change or move in a different direction, that learning how to reclaim that sense of self is really at the heart of your work.
A hundred percent.
And So much of language in our world and our culture has been captured to humiliate us.
If we look at advertisements, political campaigns, if we look at emails, corporate messages, we're bombarded by language that tears us down and says we are not good enough.
We are constantly humiliated and debased in the way we experience language.
And the work of... I'm already getting emotional talking about this.
The work of poetry and language arts is to reclaim the strangeness and the beauty of language, so that the wonder and awe at the heart of it is recycled and reclaimed back to everyday use.
Language is a strategy that has always been historically used to control people.
And so when you realize that oh, so much of this thing I use every day, when it goes into the hands of corporations and politicians it's manipulating me, Then you realize if I speak and use the material with deliberate attention and intention, then I can reclaim a portion of myself.
And part of that is dignity.
And a lot of my work is.
I'm interested in using language as a way to reconfirm self and communal dignity.
What does the word dignity mean to you?
The ability to...
To live without shame and to be proud of parts of your life that people think are failures.
Because in my short journey...
I've learned that all the struggles that me and my family have gone through, they were all also sites of innovation and creative struggle.
So to me, I think dignity is about looking at what people have said to you that you should discard and realizing that it's always part of you and being proud of that as a process of who you are.
So owning all of your parts is, and not having to walk around with that shame.
That, to me, is what dignity is.
And to me it's like you're told that you got to go up.
Go up the mountain and there'll be a light that will heal everything.
And what I realized was how, how long and inefficient realizing that is.
You know, it's like, when my I was raised by illiterate women.
And because they were illiterate, they knew how powerful reading was.
It was like sorcery to them, you know, because it's like we don't know what it is, but we know the world runs with language.
So you have our blessing to go off and figure that out.
I never had a mother that forced me to do this or that.
She said, son, go off and learn what you can.
And if you can't, there's always a seat next to me at the nail salon.
So you go off and you go get your education.
And for me, it was a long, circuitous path.
It took me six years to get my undergraduate.
I went to four institutions, community college, business school, dropped out, what have you.
But you go off and then you tell yourself and I think this is particularly true of the immigrant and the refugee, but I think it's true for all children of the working poor.
You tell yourself I'm going to go, I'm going to go into that institution and I'm going to figure it out.
I'm going to come back and give this thing that was locked away inside the university libraries.
I'm going to give it to my family and then we're going to find out why we're here and what happened to us.
So it's kind of this mining.
And you realize that knowledge is so inefficient and it takes so long.
Meanwhile, destruction is so efficient.
You know, our social services are gutted overnight by the stroke of a pen.
Entire city blocks could be blown apart by weapons.
It will take decades to heal and repair them.
Destruction is so darn efficient.
I think, human beings.
One of our worst inventions was that we have found the way in the 20th century to make instant ruins.
Before that, ruins took thousands of years to create, but now we can make ruins instantly.
And we are still living in the aftermath of that.
And I think that's also a metaphor for reparative learning, which is what so much of class being a class outsider is right.
You're brought up with so much shame.
What did growing up and feeling that shame that you feel when you're poor, when you're an outsider in a new country, what did that teach you about how to live in a world that is constantly sending messages that we don't support you, we're against you.
There's something wrong with you?
What did that teach you about life?
Shame is so perennial for so much of American life.
It's very much true for the poor.
I remember being in Stop and Shop this local grocery store and my mother counting how many tomatoes she could afford.
And I just think as a kid.
You're sitting there, you're standing in line And you're watching the cashier, who's not that older than you.
Look away, because we're all in one ecosystem.
They're not making that much money.
So it's just like poor folks together.
But what's unspoken is that deep shame.
And none of us knew why or how to ameliorate it.
And so you're sitting in line and you're watching your mom Push two little plum tomatoes back in the conveyor belt.
And you're watching this kid, who's probably four years old, and you look out, look away, because he knows you know, out of respect.
Again, that dignity, you know, like offering each other a little bit of dignity to look away.
I'm sorry.
Why are you apologizing?
Because I want to be clear and my voice, it wobbles.
You're very clear.
Okay, thank you.
And I've had the experience, but only I'm the mother, with the kids standing next to me.
And I had the line rehearsed for when the credit card would not go through.
Yeah.
And I would always cock my head and kind of look surprised and go well, that's weird, because it just worked at the gas station.
Yeah.
And then I'd say, come on, kids, let's go out to the car.
I've got another cart out there, which I didn't.
And you don't forget that.
Yeah.
But everybody knows and nobody knows how to talk about it, how to make it right.
And looking away in that moment is a form of respect, because you don't want the person who's dealing with that heaviness to feel the weight of your judgment either.
Yeah.
And so please don't apologize for speaking and telling us the truth of your experience, because you know for the person who doesn't know you.
You're, in my opinion, one of the most decorated and awarded writers alive right now.
The American Book Award, the Mark Twain Award, the T.S.
Eliot Prize, the New England Book Award, the MacArthur Genius Grant.
You are a professor at NYU.
And so, while your story began growing up in Hartford Connecticut, immigrating here from Vietnam, your mom and the women around you being illiterate and working in a nail salon, you went on to take back language and write about dignity in the human experience.
Gosh, Mel, thank you so much for that counter and that opening.
I'm so grateful for that moment of grace because I think one of the things about moving through class systems is that you always assume what you're going to say is going to be not legible.
And I feel like both you and I know, and maybe a lot of your audiences knows too, where you walk into a room and you say well, do I really say it like it is?
And if I do, are they going to look at me like I'm crazy?
Or am I just outside the frame of understanding?
And so you try to assume that what you're saying is a breach.
So you have to apologize for that breach, right?
Oh, I'm sorry, I'm going to go here.
But I feel like we need to go here, right?
And you gave me such a beautiful moment of grace that I don't really experience in the spaces that I now traffic in.
But I think there's two types of shame.
There's the shame of who you are, which is ontological.
What does that word mean?
It's a big word.
The shame of yourself, right?
So people, you know, like for queerness, many people shame us for ourself, our ontological presence, our being, which we cannot change.
Right.
And then there's the shame of action, of conduct, which I think can be really fruitful.
It would be great if a lot of our politicians felt a little bit of shame, right?
Because that means there's recognizing that you can act on it.
You can do something.
You can repair something.
So I think in many cases, so much of my childhood was about both of those shames.
The shame of being poor, which you had no control over.
Then the shame of being queer, which you have no control over.
And then the shame that what you're doing is not enough.
So the shame of action.
It's like, oh, I work so hard, but I'm not feeding my family.
I work so hard, but I'm still stuck in this tenement.
And, you know, my mother told me, I remember we were just talking one day before bed.
And I just like to just talk to her before bed.
I was like 10 or 11.
And she turned to me and she said, I'm so sorry that our family is so stupid.
We couldn't make it.
It's been 10 years in this country and other folks have started businesses that are lucrative.
They've gone off to Houston and LA, other Vietnamese communities.
They bought homes and we can't figure it out.
I'm sorry that we're just so dumb.
That gets the heart of what it means to be poor is that you start to feel that you're not a good person because you're.
Other people could afford to give right.
The heroes in our public discourse are the ones, the entrepreneurs, the ones that can donate and give and rescue children and rescue the people.
But when you don't, when you every day, you don't have enough to even be the hero of your family that you start to feel like you're the villain of your community.
And so when I was a kid, in that moment by my mother's bed and in that moment by the grocery store, seeing to the day I die, I'll see those plum tomatoes roll back on this dirty conveyor belt.
You realize, I told myself I'm I'm going to use the shame and it's going to propel me to understand it.
So shame became my propulsive force.
You know, I was like I'm going to use this as wind to find out, because this can't be.
There has to be a root to all this.
What would you say to somebody who's listening right now and says is in that place where they are feeling a tremendous amount of shame and feeling very lost, whether it is because of very similar life experiences that you've had, or maybe it's somebody who's feeling a lot of shame because their marriage blew up or they got a health diagnosis and they're having a lot of trouble really just getting through the day, or they've really made some terrible decisions in their life, they're beating themselves over the things in the past.
What do you want to say to that person about how to really think about where they're at and how to shift their relationship with themselves?
Yeah.
For me, as a writer, it all begins with language.
Often when we talk to each other, we use fluff language to get by.
How's the weather?
How about them patriots?
What's going on?
How so and so?
And sometimes we don't answer that question.
We say yes, but it's just a muscle memory.
How are you doing?
Great, good.
And I think giving yourself permission to break...
To break the norm of hiding and using language to obfuscate and just say, I'm not okay.
Or changing the question, when was the last time you felt joy?
Now, you're in a different linguistic space.
And you realize that people actually really hunger for that.
But they don't want to burden you with that.
And we don't have the words to open the doors.
We only have the words to move outside the doors.
And so when the words change, So disruptions in linguistic patterns, which is what poetry and novels do, right.
Because there are disruptions.
We don't pick up a novel to confirm what we know.
We pick it up to learn something new.
In a way, we're disrupting ourselves.
Oh, that's so cool.
Yeah.
I never even thought about that.
But you're right.
Because I didn't pick up The Emperor of Gladness because I thought I knew everything was in there.
I picked it up to be transported.
And to use your word, to disrupt my day-to-day life and open myself up to something different.
Yeah, yeah.
Is there some recommendation that you would have if you're trying to disrupt the language you use around yourself and you find yourself saying I'm not enough, it's never going to work out, I'm not good enough?
Yeah, yeah.
What my very rudimentary practice when I was a young poet and I still do this is write, just copy down your favorite poems and your favorite texts, because now you're in someone else's head.
So I would do that with Federico Garcia Lorca, Toni Morrison.
Mary Oliver, you know, and when I'm stuck and when my language is running my life and it's toxic, I can just take another poet and I would just open up the book, put it in my journal and just copy and feel, you know, that's the beautiful thing about language is that it's the most democratic tool we have, because everyone can use it.
I want to make sure that, as the person's listening to you or they're watching on YouTube, that I highlight this tool that you spoke about.
And I want to expand it a little because you gave us this offering that I think is really important to make sure the person as you're listening that you really get that you could do this.
You said that if you're really feeling a sense of shame, or if you are using your own words against yourself, I am not good enough, I have failed, I will never amount to anything, I'm not smart, whatever those words are that you beat yourself up with.
You said, one tool is that you would open up a line from one of your favorite poems and then you would write that line and trace those letters and you start to then basically borrow those words in order to override and to teach yourself a new language.
And one of the things I wanna say that I think people do instinctually is a lot of people save quotes they see online.
Yeah.
And that's another way to do exactly what you're talking about that if you are stuck with really self-defeating language and you know you're beating yourself up, if there are famous quotes, if there are lines from a book, if there is something that has lifted you up or you've saved in a little folder somewhere on your phone, you could do exactly what you just said, which is write that out every day.
And as you're tracing the shape of those letters, really imagine that those are the words that you say to yourself.
Yeah.
It's like secular prayer.
Yes.
Right?
It's a form of prayer that you choose.
You get to curate a kind of bibliography or Bible for yourself, right?
And you don't have to be religious to do it.
And in fact, this is what the early monks did.
They would trace and replicate Psalms and the Bible by hand, right?
And so that was kind of a meditative practice.
And also imagine, visualization, imagine the people around you, right?
Even just saying that, I hope my sister has a good day, re-centers us.
Because in Buddhism we have this idea, in Buddhist psychology we have this idea called sequential thinking.
What is that?
In Buddhist psychology, we do not believe that you actually feel two things at once.
One can only hold one emotion at a time.
So it's like holding a ball.
If you're holding the ball of hatred and whether it's for others or self-hatred, the only way to have another thought is to put down that ball.
You can't just grab another, right?
You have to put down that ball. and then hold something else.
And in meditation practice, we usually do a check-in And often, particularly nowadays, I sit down and something in me said, this is going to be a bad session.
I can't do it.
My knees hurt.
My ankles hurt.
There's too much going on in the world.
That email is bothering me.
I really got to get back to that.
There's so much.
And it's all about I'm holding my own suffering.
And what we do in Buddhism is that we start to displace our suffering with other people's suffering.
So we start to think about the people closest to us and then we radiate outwards.
Oh, my brother's having a bad day today.
I remember now.
He's really struggling.
My brother works retail at a sporting goods store.
And, you know, it's wage work.
Sometimes it's hard.
People yell at him.
And he goes, it's a very stressful job.
And so I'm holding him.
And all of a sudden, it's really, I don't know why this is.
But when we hold our suffering, we suffer more.
When we hold someone else's suffering, we have compassion.
It's amazing.
Why?
I would love someone much smarter than I to figure that out.
But that's always the case.
It's very hard to continue to suffer when you're holding someone else's suffering, because it's something like love starts to come out of that.
And some days I can't do it.
Some days I'm like, I just don't have enough. to go there.
But just even saying that word, the phrase, I hope the people in my community can find safety.
I'm going to work towards that.
I'm going to work towards securing their safety.
And then you start to all of a sudden, you visualize what you can do, how you can volunteer, how you can help.
And all of a sudden you remove from yourself.
And when you come back because it's all cycle you come back to yourself and you say gosh, I don't know how to pick up that ball anymore.
I see it.
I see self-hatred.
I see envy.
I see bitterness.
I see self-loathing.
It's all there, but I can't really pick it up.
Before, it was stuck.
It was glued to my palms.
But for some reason, moving outward has cleansed, and now I can't pick it up if I wanted to.
It's so effective, and it's so simple.
As you were talking and explaining this, I just did it.
Say more.
So my mom and dad just lost a very, very good friend.
And it was very sudden and really tragic thing that happened.
And the second you started talking about your sister.
I thought oh, you know, I hope my mom and dad are having an okay day today.
I hope that they are surrounded by friends today.
I hope that their heartache is getting the support.
And then I thought, oh, I need to call them as soon as we're done talking.
And everything that was self-centered disappeared from my mind.
And there was this big expansion that happened.
And as you're listening or watching, I want you to think about somebody that you love that you really do hope with all of your heart that they are having a good day, that they are getting the support that they need.
And if you truly step into this invitation, I think you will feel exactly what Ocean's talking about that somehow there was something you were holding inside yourself, even in the subconscious.
But when you direct that attention and focus outward, something expands and lightens inside of you.
Because you can only hold one thing.
Because you can only hold one thing.
You know I want to ask you a question because I loved your New York Times blockbuster best-selling, profound novel, The Emperor of Gladness.
And when I opened up the first page to chapter one and I read the first sentence, I thought if I ever meet Ocean, I want to ask you about what this means.
And the sentence is, the hardest thing in the world is to live only once.
What does that mean?
You have to make a count.
What does it mean to live and owe something to the people you love, your obligation to them, to your community, and to live with that kind of care?
Because the other side of that is YOLO.
You only live once, enjoy it, mash it all, and look where it's gotten us.
Ecological despair, corporate greed, thundering our environment, our planet, just for profit.
That's a lot of YOLO.
Another side of YOLO is that, well, if you only live once, how do you live in a generative way?
How do you live with care and consideration with the meditative practice you just did?
You don't have to be a monk and sit there and go om and do chanting.
You can actually do it while listening to someone talk, right?
I want to unpack this even deeper.
The hardest thing in the world is to live only once.
And you said, to you, that means you have to make it count.
And what I would love to hear you talk a little bit about, because I've never asked anybody this question, but as a professor I bet you are witness front and center to this sense of pressure and urgency that is not only inside your students but it is 1000 inside every character in your book.
Yeah.
But this...
Pressure that I think is almost universal to make something of yourself.
Yeah.
To make your life count.
Yeah.
And for somebody who's listening right now who heard you say, oh, well, you have to make it count.
Hmm. and they now feel like, but I'm not ocean.
I'm still, I'm stagnant.
I'm working in this restaurant job.
I didn't expect I would be here.
It doesn't feel like it's counting at all.
Yeah, yeah, yeah.
What would you say to the person that's in that space?
Because I think the pressure you feel to want it to count is a really good sign of this sense inside you that there is something more for you.
Does that make sense?
Absolutely.
Absolutely.
And I think for me, there's what society counts.
And often, because we don't know any better, we're told that it's almost like a download.
Society downloads something. the set of values into us.
And then we say, well, I need to get a good job.
I need to get out of here.
Right?
And that's why, like, this novel, there's no escape plot.
These are working poor people.
They remain so, but it doesn't mean that their lives are doomed.
You know I reject this idea that a story about down and out poor people is only valuable if they can escape it.
Because there's plenty of films, plenty of novels about that.
And I think as Americans, we fetishize rescue.
I think there are more Americans rescued in American films than actual Americans.
And yeah, it feels good to watch that movie.
Oh gosh, look, they rose out of it.
And then there's the other thing There's the other part.
There's an alternative count, which is your obligation to yourself and your life and your community, regardless of what that means in the CV, in the social standards and what have you.
And I think what I learned working in fast food and the tobacco farms growing up and what I wrote about is that in those spaces there's something really really humbling and powerful.
Is that, if you walk into,
NYU, where I now work, if you walk into a doctor's office, a dentist's office, a law office, everybody who's there worked and wanted to be there.
They might not like their job, fine, but they all deliberately worked to get there.
But the folks in the fast food restaurant, they never want to be there.
That's not their final goal.
They are deferring something else.
What's so humbling and powerful about that is that everybody you know, you see, you realize there's another dream.
And when you work enough hours, it becomes really, it looms large.
And you start to really want to find ways to find out that dream.
You know, you have these kind of probing conversations.
What do you do before this?
What do you do after this?
You do a night class?
All of a sudden, these spaces open up, in these restaurants and corporations that were not meant to be there.
They're kind of subversive utterances.
And so, to me, I think, what I mean by the hardest thing in the world is to live only once, is to live according to your values.
Again, dignity matters.
And what you owe to yourself, your family and your community, however that means to you.
And wrestling yourself away from the standards of ultimate success or what have you.
You know, like I am lucky to be a successful author and a professor.
But I live in New England still because nine of my family members still live there.
They're all refugees.
They came with me.
I don't have enough generational wealth to liberate them from the working poor.
So my family still work at Amazon warehouses, nail salons.
And I'm there.
I've had job offers in lovely places, Paris, Germany.
I said, as soon as they come in, I said, there's no way.
Because I got to take my aunt to her doctor's appointment.
I got to do her taxes.
I had to help my cousin go into a psych ward once in a while.
And that's not a burden to me.
And I want to make that clear.
That's a privilege.
I get to.
It's a privilege to be able to sacrifice.
I get to help them.
Because when I was growing up, you needed your tooth extracted?
Chaos.
Chaos.
You know, you had to call a loan shark.
We had to call a local Vietnamese grocery store to borrow money from God knows who.
Don't ask, don't tell, right?
And just to get like little things done.
So it was like the end of the world when those things happened.
And now I can, every emergency my family has, I can take care of.
And I'm proud of that.
And to me, if that's what I'm doing with my one life that I'm given, then I'm really really proud of that.
And, I think, having the courage to break away from the social expectations of count and then realigning what counts for you.
It's hard work, though.
It took me 20 years.
And this is still new to me.
This is a new feeling, right?
I don't want folks to have this understanding that I've always had this.
I'm developing it as we speak.
I am so blown away.
And thank you.
Thank you, Ocean, for sharing that.
And thank you for being here.
I need to take a quick break, even though I don't want to take a break from this conversation.
So I can give a chance for our sponsors to share a few words.
And I also want to give you a chance, a chance to share this conversation and the wisdom that Ocean is unpacking for us with other people in your life who need to hear this.
And there are four people that I've been thinking about as we've been talking for the last couple minutes, that I am going to be sharing this with right now.
And don't go anywhere.
There is so much more wisdom that we're going to unpack with Ocean Vaughn when we return.
Stay with me.
Welcome back.
It's your buddy Mel Robbins.
And you and I have the honor of sitting with one of the most acclaimed literary figures and writers alive today bestselling author and professor Ocean Vaughn.
And we're talking about how to find purpose, meaning and the quiet strength to keep going if you're feeling lost in life.
So Ocean, what I'd love to have you do is if you could speak directly to the person who's really resonating, because I know so many people will And maybe they're in the job.
And they thought they'd only work at the restaurant for two or three years.
And they're just getting by.
And they're starting to feel that dream of a different life slipping away.
What do you want them to know?
I think for me, you have a myth of yourself.
And...
You know, the myth for myself was to be a business person, because that's just what I thought where money was.
So like when I was 15, I thought I was working in a tobacco farm.
For cash.
It was no, Uncle Sam, no taxation under the table.
950 an hour.
Way better than minimum wage, which is 715.
And it was so interesting.
We lived in HUD housing section eight.
And my mother sat me down one day and said son you, I crunched the numbers and you need to get a job.
You're about to be 16, but you got to just work at McDonald's.
So can you imagine like what happened to like American dream upward mobility.
Do what you want, follow your destiny right.
I'm like, what?
Excuse me?
And she's like, no, no, no.
You can't even be the manager.
You need to just be minimum wage because if you make any more, we'll be kicked out.
And we won't be able to afford an apartment on the open market.
So upward mobility could render you homeless.
And then it clicked.
I said, oh, no wonder every other... in my neighborhood is a drug dealer.
Because if you're a child to a single mom and there were daughters and sons in that too if you're a child to a single mother and you want to help her out to get a job, if you get too much money, you're going to lose your housing.
So what are you going to do?
Sell weed on the side.
Get cash.
Put it on the mattress.
Mom pays the light bill with her checks.
You take her to the grocery store.
And I have seen folks do that.
And I don't condone drug dealing.
I've seen folks do that and move out and move on and stop that and have relatively economically successful lives.
I've seen folks do that and end up in jail and die.
So it's just a complete crapshoot, you know, and...
So I went into the farm as a way to help my mother.
But I had this myth that I would go out and be the one who has a degree.
I was going to study international marketing and really be the superhero of my family.
And then I got to the school in New York to study.
And I studied for just four weeks before I dropped out.
And all that myth of who I am to myself crumbled.
And I often say this and not in any tongue-in-cheek way.
I said, I became a writer out of failure.
And more so, I became a writer out of shame.
I could have went home to my mom and said, Mom, I tried.
I can't do it.
I'm not cut out to go to chase J.P.
Morgan like all my colleagues are with their suits.
I don't have a suit.
We have one suit.
It's called a funeral suit.
That's all I had.
I didn't even bring it.
I was optimistic going to New York.
I was like, I'm not going to bring my funeral suit.
I went to enough funerals.
So that's all I had, you know?
And I didn't even conceive that you had to wear a suit for an internship.
So I was so out of place that I just, I felt like a fool.
And I didn't have the wisdom I had now.
I couldn't show up to that place and just see how much of an outsider I was.
So I dropped out and I roamed the streets, couch surfing, doing open mics.
And someone would say, why don't you just go home?
And if I went home, my mom would say, sit on down.
I save you a seat at the nail salon.
Pick up the filer.
Let's get to work.
But I didn't do that because I was too ashamed to go to her and say, I failed you.
Hmm.
I'm the only one that knows English.
I'm the only one that can read.
I'm the only one that could potentially have a college degree.
And I'm going to come back empty handed.
I could not live with myself.
So I stayed in the city.
I stayed in Penn Station for two weeks trying to figure things out.
Meaning you actually slept in Penn Station.
Penn Station, yeah.
Right under Massacre Garden.
It was the warmest place.
But Penn Station is open 24 hours.
And you can stay near the Long Island Railroad.
And, you know, eventually I became a student at Brooklyn College.
And I pursued a degree in literature.
But it was because I was too ashamed.
I would prefer to be homeless.
Then go home and say Ma, all your dreams, because I knew she had.
I knew, even though she said don't worry about it, I knew she had dreams for me.
I couldn't face her and say, all that is over.
So shame is a powerful thing.
If you can transform your shame into action and then motivation, it could be the foundation for you to alter your sense of self.
What would you say to a student that came to your office hours?
And, you know, Professor Vaughn, I am so full of shame.
I do not belong here.
I have really screwed up.
And the shame is not motivating them in a positive direction.
It is drilling them into a hole.
So if you had a student sitting in your office hours who was really pummeling themselves with shame, what would you say to them?
Every semester.
Every semester this happens?
Oh my goodness, especially in the creative arts.
We have students who come from all over the world.
Some of the most exciting work in Anglophonic literature right now is coming out of India and Nigeria.
And I have a lot of students from India, Nigeria.
And boy, you know, imposter syndrome runs very, very deep.
And here they are in NYU.
They're following their dreams.
Meanwhile, these are the students, the most successful ones.
They're like ticking the boxes of their dreams.
You know, they're not dropping out.
Nothing has gone awry and they still feel this.
And I relate to that immensely.
So for me I told them.
I said look, I share the same shame and doubt that you do.
But you believe, I have a sense that you believe that there is a kind of comfort and agreeability to being in the center of power right in institution.
That's what people, normal people have.
They don't feel like they're imposters.
They feel like they belong here, that they should be here.
But I tell them I said, the day that I feel that I belong in institutional power is the day my creativity dies.
I never want to feel comfortable here.
And we turned that into a pathology.
We say, you are ill, you have a syndrome.
But I refuse to believe that.
To me...
It's an immune system.
I have imposter immune system.
What does that mean, imposter immune system?
It means that when I'm in the center, I don't believe that being in the center alone is anything valuable or dignified.
You have to still have conduct.
You still have to have behavior and ethics.
And also that when you realize you go into these spaces and you realize actually what I learned back there in my hometown that I thought I was escaping from was much more useful for me than what I'm seeing here.
That this charade of power and belonging is truly a hallucination.
There's people who feel comfortable here because they have been given this path.
Their parents gave them this path.
Their grandparents gave them this path.
That they were following a trajectory that was carved for them.
So of course they feel like they belong.
But do you really want that?
Do you want that path for yourself?
Because that's also the denial of your own creativity.
You need that kind of friction, that vigilance.
Well, I think what you're getting at is applicable to anybody.
Yeah.
Because let's say you get a divorce and now you're single and your friend group disappears.
And as you start to insert yourself into other social groups or you see old friends, you will feel that separateness and you will feel that sense of I don't belong here.
And...
If I listen very closely, what you're saying is that that separateness and that friction is a very important and necessary ingredient to you being able to do the work to grow into or to be the person you're supposed to be, whether it's the friendships you've outgrown or the places that you are never going to quite feel like you belong in, or the work you need to do to build the skills so that you don't even think about it anymore because you now have the skills to belong.
And so I think it's applicable to all of us.
I'm wondering if there's one thing that you would recommend to begin seeing the beauty in your life, even if you're really struggling right now, especially if they've related to a lot of the various things that you've gone through, what would the one step forward you would want somebody to take?
At the end of my semester.
In every class, I have my students do something very simple, and I do it as well.
And you'd be surprised that many of them have never done it.
And what I do is I tell them, Think about your intention.
Why are you here?
Why did you sacrifice so much?
And I tell them, go back to that person that first found this art.
The person who read a poem and said, just like Emily Dickinson said, my head is taken off, right?
And then... decided that they want to do that for other people.
Write a work that transforms and affects people's lives that way.
Maybe it was just two years ago.
Maybe it was 10 years ago.
Maybe they were just seven or 20.
Go back, find that person and collaborate with that person.
Bring that person into the room.
Because often in our linear progress in professional life we often think our older self is not smart enough naive.
Leave them back there.
But bringing that person in the room and asking that person, how are you so strong?
And how was that intention so powerful that you didn't even know how to get here?
You didn't know how to get NYU, but you sent me.
You, my younger self, sent me here like that little pebble in the pond.
I am the ripple.
You are the pebble.
I'm the ripple that have come from you.
So I need you.
When I am inundated by the pressure, when I'm asking, why am I doing this?
What is it for?
What's the point?
Why am I in this rat race?
When I'm about to give up, When I'm fading, I need to bring.
So I tell them, every time you write, every morning you wake up, bring that person.
Have them sit right next to you because they know more than you do.
They got you here without even knowing what a professor is, without knowing what the New Yorker is, without knowing what a curriculum vitae is.
They just had that boom.
And you are on the journey they set.
So what you need to do is say thank you to that person.
So at the end of the class I tell all my students, at the count of three you say thank you to yourself aloud.
And you need to say that every day because no one else is going to say that for you, for this journey.
So we close.
One, two, three.
Thank you, Ocean.
And it's an amazing thing.
Thank you, Ocean.
Thank you, Mel, saying that to yourself.
I am the ripple.
You are the pebble.
I felt this huge chill when you said that.
This idea that your younger self was the pebble that had an intention, whether you're present or not to it, that set in motion this ripple that created the you that you are today.
If the person listening does not know what their intention is, they do not know what age or what scene of their life that pebble was cast is there anything that they can do that could help them find that center of intention?
Hmm.
To begin with?
I think paying attention to the world and yourself, and again, seeing what you owe.
Eventually, you know, Simone Weil says, the most generous thing we can ever give is attention.
And I think paying attention to the world often, we think it's about giving attention.
But in fact, we are also discovering ourselves when we look carefully at the world.
And I never knew I was going to be.
You know, when I was growing up it was factory worker, nail salon, the army job corps, right.
Or long haul trucker.
Those were the things.
Or jail, right?
Right.
Those were the things that was available and what was happening around me.
And so I never, no one ever said you can be a professor.
In fact, I didn't even know poets were something you could become.
I thought it was like preordained by the government.
I thought, like the president signs like a list, you get it in the mail and say you get to be a poet.
Then they give you a cabin. in Vermont.
You go there, you scribble away, then you send your piles of paper to Barnes & Noble, and they go out in the back, they make a book, and they wheel out a cart of books.
How else would it happen?
And so the idea that one could be a poet is a complete journey of failure, of objection, of shame.
And so I'm 37, half of my life have been in nowhere land.
Absolute loss, absolute objection.
And I would never have told you that I was going to be a professor or write books.
To me, I am miraculously in the whipped cream of my life.
And I've been in it for 20 years.
I've been able to do what I love.
But it was not a life that I thought I could afford in any sense of the word.
So the pebble if I'm really like I just felt, like I should say the pebble is though, that deep intention buried within you to be in the whipped cream of your life, to know the truth, that there is something that is meant for you.
That there is power, that there's dignity, that there's beauty and the sense that you were going to figure it out.
And it was something much more materially fundamental in that I wanted to take care of my family.
I knew I was the only one.
I looked, you know, I looked long and hard at their life and I said, all right, They've been in the factories.
I mean, I went back to that moment with me and my mom at her bedside when I was 10.
And when she said, I'm sorry, we're so stupid.
That was the pebble?
I didn't know it then.
So it wasn't be a poet.
I say that to my students because we're in poetry class, right?
It gets too existential beyond that, right?
But for me, that was the pebble.
It was whatever I was going to do to take care of my mother and my brother and my aunts.
That was what I was going to do.
And when I realized that I could take care of my mother and be an academic and a poet, then that was when it was like seventh gear.
I became kind of ruthless in my pursuit of my craft because I knew it was something that would then support my family.
That was my motivation.
So now...
I say, oh, I was given that.
My objection was a motivating factor.
Without them, I don't think I would have worked as hard.
I would not work as hard for myself.
I'll tell you that, Mel.
I would not study as hard.
I would not read as much books.
I would not write as many drafts without the pressure, knowing that they really depended on me to get them a better life.
Thank you for sharing that, because it was so helpful to see that your pebble actually wasn't this epiphany I want to be an artist or a poet that your pebble was something so much more deeply connected to your value of taking care of your family.
And that shifted for me the way I think about I am the ripple and my former self is the pebble.
The intention is the power and it's there.
And I really, I got a lot out of that story.
Thank you.
Thank you.
I know we could talk for hours, but I have to take a quick pause so I can give our sponsors a chance to share a few words with you as you're listening.
And if what Ocean is sharing with you is resonating with you, it's stirring something inside you.
Don't keep that to yourself.
Share this episode with somebody in your life who deserves inspiration, who deserves support in finding purpose, meaning and the strength that they need to keep going, especially when life is really hard.
And when we come back, we're going to go even deeper.
I know you don't think that's possible, but it is.
So stay with us because Ocean and I are going to be waiting for you when we come back.
Welcome back.
It's your buddy Mel Robbins.
And today, you and I are spending time learning from and being inspired by one of the most acclaimed writers alive today, Professor Ocean Vaughn.
And he's here teaching us how to find purpose and meaning even when you feel lost in life.
So Ocean, I have this question.
I've been waiting to ask you because you've been a professor for 11 years now.
Yeah.
What is the that's really holding your students back more than anything right now, from being themselves?
The fear of humiliation.
We call it cringe culture.
We can call it, you know, fear, authorial hesitation, whatever you want to call it.
I've had the great luxury of being a professor only to Gen Z.
My entire career has been educating Gen Z from the very oldest now to the very youngest.
I've watched this generation grow and I've watched the...
The horrible public precarity that they have to navigate.
You know, when I was a kid in the 90s, you do something silly and your class makes fun of you.
Worst case, your school makes fun of you.
And then after summer break, all is forgotten, right?
And then you're kind of cleansed by the amnesia of summertime.
But now, you do something out of the norm, as much many children are inclined to do.
Your kids, your brain is developing.
You can be filmed without your permission.
And a week later, an entire country that you have never stepped into is laughing at you.
And then, years later, you become a meme, a symbol that is completely extracted from your personhood.
So the meme is one of the most brutal realities of our 21st century mode of communication, because it transforms a human being with a historical life and a personality into a communication object, into a sign which now serves somebody in a group chat.
So By the time I get them, I teach a graduate program.
So they're 22, 23.
And we get the ones who have already committed themselves to art practice.
So we get the ones that are kind of professionalizing.
But without fail.
Every year at the first day of class you can see by the body language that in the room how deeply beaten down and afraid my students are for being a poet.
So I tell them that the classroom is a laboratory of failure.
This is a place to fail.
This is a place to be embarrassed.
And I'm not going to critique you for the first few weeks.
And we're not going to critique each other.
We are a culture obsessed with static truths.
We have a word for a bud and then a word for rose.
Rosebud, rose.
But there are infinite moments in between.
There's a moment where the rose just starts to tear.
And if you've zoomed in enough, you don't even know what you're looking at.
It's still part of it, but we don't have a word for that.
And to me so much of life actually exists in this liminal, monstrous moment, undefinable space in between the two definitions of rosebud and rose.
And so I tell them, I said, you are now in the space between the rosebud and the rose.
That's what these 14 weeks are.
We don't have a word for that.
Sorry.
Doesn't matter though.
So normalizing the idea of failure as a necessary procedure of growing as a human being and not using judgment as a punishing tool of progress.
What a lot of students want from the classroom is a factory.
They've been taught that.
I'm going to go to NYU.
I'm going to feed my weak poems into the NYU factory.
And a professor and my peers are going to to fix everything, right?
It's all about this false idea that if I just keep working, a Finnish brand new, you know T-model Ford poem will come out at the end of it.
And it's a completely false fantasy.
So it's introducing to them the the larger reality that all of this will come through error and errancy.
But in fact, error and errancy is part of being alive.
And not only that, but part of innovation.
That's the daring, daringness.
And when I set that up as the re-elaborate that as what the classroom is for.
You see the body language change.
You know, and I'm like, oh, there you are.
There you are.
What I love so much about your work and about the way that you think and the way that you talk about your experience is you have this unique ability to dig deep into these subtle moments in people's lives.
And I feel like you've got this ability to really normalize what is a experience that so many people feel but don't have the words to describe.
And the message that your work carries in.
It is the opportunity for all of us to not only create that space for ourselves, wherever you are right now, because being in a moment in your life where you don't feel like it's going anywhere and you are feeling like this is really what it's going to be.
Am I really making my life count?
Especially as you get older?
I think everybody's had that experience.
And imagine being raised by someone like that.
Imagine being surrounded.
And multiply.
If you're in a community like that or a family, everything you said multiplied by eight or nine.
Everyone around you feels the same way, right?
And the deep resentment, the deep sadness.
But also, again, my stepdad worked at Standardine.
He worked at a place called Standardine.
He made a screw his whole life.
For like 30 years, he made the screw that went into gas pumps.
And that company shut down.
It went overseas.
So he's an uneducated refugee from Vietnam.
Spent seven days in a boat and went to a refugee camp.
Then came to Hartford, met my mother.
And he spent 30 years making a screw, and now he doesn't make a screw anymore.
What does he do?
So he goes to work at Colt, which is a gun factory, and also in Connecticut, Newington.
And he makes a smaller screw that goes into the Colt Magnum.
And gas pumps and guns is the most quintessential American story.
Every day after work, he hung up his uniform in our living room on a thumbtack.
We didn't own it, so we could not put anything on the walls.
We couldn't paint it.
We had to get permission.
It's a bureaucratic nightmare just to paint your walls.
He hung his shirt there because on the right chest, it said N-G-O-C, his name, with the diacritic stitched in beautiful blue thread.
And...
Every time someone would come over, he would point to that.
He said, I work at Standard Eye.
I have healthcare.
That's how low the bar was, right?
And we're still feeling that bar.
It's a big thing to say, I have healthcare.
It's a big thing to say, I have a salary.
It's a big thing to say, I belong to a place with a uniform.
They believe in me enough to give me a uniform with my name on it.
I looked at that for years, similar to how you describe your family in the farm.
And I saw that.
I told myself, that can't be my American life.
This man works from 3 p.m. to 12 a.m.
I never see him.
I look into his room.
I see a tuft of black hair out of his blanket.
That can't be me.
But if you asked him, how did you spend your American life?
He's retired now.
He would have said, that is his absolute triumph.
That was, he lucked out, right?
He would tell us this.
He said, he would convince me to go work.
And he said, gosh, it's amazing.
This is it.
Not everybody, and he wasn't wrong.
He was not wrong.
So I think that's why I wrote this book, because I think everyone around me wanted stories about poor people who got out of their situation, so that the reader feels good.
I just was not interested in writing a novel where like to make rich people feel good about poor people, right.
Or, you know, it's all war fit or creating poverty porn to build sympathy.
I say, no, this is just American life.
And in fact, we want the story of escape.
Our history books are filled with stories of escape, of revolutions, of people who overthrew things.
But history itself is It's predominantly people who are stuck.
Stuck in marriages they never wanted to be in.
Stuck in wars they did not choose to fight in.
Stuck in coal mines they never thought they'd be in.
And some of them stuck in lives they never chose.
None of us are chosen to be born.
But we stay.
We stay around because we realize there's love here.
That's what I'm interested in.
None of us chose to be here.
None of my characters chose to be here.
But they stay because they discover love.
And it doesn't make poverty better.
It doesn't make it even tolerable, but it gives your life a kind of significance when you realize that if nothing else, if nothing else, nothing improves which for the most part in this book spoiler alert nothing much does you are still capable of giving and receiving love.
And that's no small thing.
To me it's a huge thing, significant part of one's life, especially after watching my mother die.
You know when, when she was, we knew it was terminal.
She spent months bedridden breast cancer.
Most likely from all the chemicals she breathed it has eaten into her spine, stage four metastatic into her brain.
You know she from diagnosis to death was seven months.
And when I asked her, what do you want?
What do you need?
What was your life?
She just told me the smallest moments.
I remember when we used to go get chicken nuggets after work and we sit in the parking lot.
That was nice.
I didn't even remember that.
That's completely her memory.
And then when she said it, I said, oh yeah.
Gosh, I haven't thought about it all this time.
And I couldn't believe she held that.
It was such an edifying moment, 2019.
I started this book in 2020, seven weeks after she died.
And I thought, oh gosh, it's not about the big things.
It's not.
It's about eating freaking chicken nuggets in a McDonald's parking lot with your son.
And I thought, if I am a writer worthy of my salt...
I have to use what I've learned and my skill and talent to hold that.
Let me, if nothing else, in my one life, the hardest thing is to live only once.
Let me use what I've developed all these decades to make that shareable with a reader.
Because I just wasn't seeing it in the media that I was told I should consume.
Well, it absolutely comes through.
Thank you.
It absolutely comes through.
And you know, it reminded me of a lot of periods in my life where I was rushing through it hoping to get somewhere else and, you know, help me slow down and like, really reflect on what was right there.
And sometimes you need the other person to say it because you don't know.
Yes.
And how incredible if...
If my only contribution to your beautiful podcast is just to get people to change the way they say hello, that would be amazing.
You pick up a phone and instead of saying, hi, how are you?
Good, good, good.
Just say, hey, what's the last thing that made you joyful?
I wish I knew that a lot sooner.
I would have very different conversations with my mother and the friends I lost to the overdoses and suicide.
I would do it all over, but you learn things so slow.
But every time we pick up the phone, we have the opportunity to switch the gears.
It's always in our hands because we're just holding one at a time, one feeling at a time.
Well, I also think that this is an enormous invitation to ask yourself that question.
When was the last time that you felt joyful?
So I play in a queer basketball league with my brother.
I'm trying to imagine that, by the way.
Yeah, it could be hard.
It's hard for me to imagine until I'm there.
Well, I immediately went to costumes and, of course and I was thinking of the scene in the book, which is one of my favorite scenes where one of the characters BJ, has this dream of becoming a regional champion in wrestling.
Yeah.
And everybody piles into a car and goes to her match and things go horribly awry.
Yeah.
But you feel the love of friendship.
Yeah.
Yeah. as they surround her in this moment where she's basically humiliated.
Yeah.
And so I thought of costumes and the energy.
Yeah, it's very similar.
Yeah, hopefully not a lot of humiliation.
Oh, well, it depends.
It depends.
You know, joyful humiliation.
The body humbles you, especially at 37.
But I play in this league with my brother, and I've always feel so much joy because...
I never thought that you could participate in a very competitive, historically very competitive cutthroat.
I grew up with like street ball, N1 mixtapes, skateboarding culture.
And it was like it was beautiful, but it was also like, filled with hyper masculine aggression and toxicity.
And being in a queer environment, And when I say queer I mean, like you know, all genders, all bodies, all experiences, all hair colors, like hats.
Bring it like you're on it.
You got the right image.
Like it's, you know, we look like a beautiful athletic carnival and it's amazing.
And I look forward to every Sunday.
A beautiful athletic carnival.
That is a mouthful of amazingness.
That's all I'm going to say.
Tell that to the NBA.
But just moving my body next to my brother felt so much joy.
And I think it's, I'm proud of him.
You know, I think he's the one that I go to first when I do that meditation.
Is my brother okay?
You know, he's always, we're 10 years apart.
So I'm like a weird gay brother, father, you know, but you embrace it.
You don't, It's not a nuclear family.
What is a nuclear family?
It's just family.
It's what you owe.
To me, this book is about who owes who what.
And what do these characters do for each other?
They pile into a van off the clock and they go watch their manager wrestle at a bar, to catastrophic results right.
And then they say, you're still our manager.
Because that's what I witnessed.
And that's what we remember.
If we're lucky, if we are so lucky, we will get a deathbed.
A lot of people don't get a deathbed.
And when we get that deathbed, we will remember these moments when people were kind to us, when they offered us grace and attention.
And I wanted to just, what a miracle to have the technology of the sentence.
Put that in a book and then just throw it in the world and say, do you get it?
Do you get where I'm coming from?
And then unbeknownst to me, so many people saying, me too.
So do you think the thing that you owe one another is kindness and grace and attention?
All three.
All three.
Kindness, grace, and attention.
Absolutely.
Because kindness is thrown around a lot, right?
It's like, oh, be kind, be kind.
But what I love about it?
I love kindness even more than the other word that gets trafficked a lot, which is empathy.
Because empathy can still be static.
In a way, it can also be dangerous and render us complacent.
To me, kindness is such a...
A powerful testament to what it means for us to act on our debt to each other.
Kindness is now empathy via action.
And a lot of times growing up, we knew that we're not going to get anything back right away.
Because we couldn't.
You know, the characters in this book don't have anything to really give each other, but each other.
You know, there was a line from, I believe it's the Bible.
It's a religious text.
I don't know if it's the work of St.
Augustine or the Bible, where the line was, we are given ourselves.
That is the gift of life, is that we are given thisness.
And you know I'm not a Christian, but I really love that idea that oh, I'm taught by this country that I need more.
I need to go out and grab more.
But this-ness, myself, was already this invaluable gift.
And then to then gift myself to others through service and kindness.
I love that statement given to ourselves because you know, a lot of people are searching for purpose and i've always thought purpose is when you recognize that you've been given to yourself.
Yeah, but your purpose is then to give yourself to other people in service, in kindness, To give other people the dignity and grace that you have to give.
Yeah.
Empathy as an endgame is a trap.
It's about how it can be put into action.
Yeah.
Empathy is a procedure into the solution that we all really hope for.
You have... shared so much today.
And one of the things that I would love to ask you is for the person who's listening, who wants to build a meaningful life, one that has room for joy, for connection, for dignity, for grace.
What do you hope they take from this conversation today and from your work?
I hope people realize that, if they don't already, that a meaningful life is not a life that you use to prove to yourself or others that you are valuable.
A meaningful life is finding the power and the value where you are.
And I say this, and I know for some it might sound like a bunch of you know, hullabaloo.
But I say this as someone who, if nothing else, I'm someone who have trespassed these class layers by no plan of my own.
I went from the projects as a refugee and now I'm in billionaires' mansions begging for funding for my students.
So now I see a whole different world.
And I say this because I think it's easy to fall into the trap of, oh, my achievements are me.
They're just what I do, right?
And to me it's like you're told that you got to go up.
Go up the mountain and there'll be a light that will heal everything.
And that's what you're told as a little kid.
And it's interesting because like, Being from the working poor, we were so naive.
Our parents were so naive about education and professionalization because they were never part of it.
So they thought it was a panacea.
They actually gave it more credence than it deserves.
That if it can just get you there, the there will take you.
It'll take care of itself.
And little did they know that there's nepotism, greed... payoffs, nefarious shenanigans.
And in a way, it was just another wasteland.
And that's been my experience.
You go up the mountain and then there's a plateau and then there's an award ceremony.
And then you look around and say, oh gosh, there's a lot of skeletons here.
It's just smoldering.
And then they said, whoa, no, no, there's another level right this way.
Keep on working.
And you get up that one.
You say, okay, maybe I'll see things differently from up there.
And you get up to that platform.
You say, oh my gosh, it's a graveyard.
There's bitterness, envy, jealousy, hatred, pettiness, everything.
I thought I was escaping down there.
It's still here, but even here, there's nowhere else to go.
You know, it's either you go up or you get pushed off, right?
And eventually, I realized that it wasn't about going all the way up.
It's about using that as a way to build a life for yourself and then coming back down.
How do you come back down from the mountains?
My whole life changed in the past five years, realizing that.
Because I'm like any American.
I was told, go on, move on up.
Go, go, go, go.
Get them, get them.
One award, great.
That will launch you.
You know, like these are strategic that you get an award.
Now you can apply to a tenure track job.
Yeah.
Then you have to do service.
You go to your deans and look at all the awards I got.
Can I get a raise?
You know, then can I get a load off my teaching so I can do research?
Can I get research fund?
So all these are strategic.
They're not nothing.
But then eventually you look around, you said, when is it going to end?
And now I realize, if I don't come off this mountain and find my people, my brother, my aunts, my family, I'm going to be buried up there.
And that was the most liberating thing.
And go into these spaces now and I say, I don't belong here, but I have work to do here.
I love the visual and the metaphor of coming down the mountain.
Because for me, it feels like grounding back into ourselves and into the things that are truly meaningful, that we take for granted, into the beauty that is right in front of your life, instead of thinking that, more of anything other than what you said, if you have safety and if you can pay your bills and you have something that you can wake up and do that adds a little value to your life, even if that means you wake up and you drive your grandmother to her doctor's appointment then, where you are, you have enough.
And if you can start there, you actually are grounded into your values.
And that's where your power is because you know who you are when you can do that.
So I love the metaphor of like dropping down Do you feel that's where you are now?
Oh, 100%.
Yeah.
100%.
Like everybody always asks me oh my gosh, you know the book and the podcast and the this and you know what's more?
And I'm like, more?
Yeah.
Like I have more than I ever thought I would ever have.
I want more time.
I want to be present with the people I love.
My parents are getting older.
I'd like to spend more time with them and they don't live near me.
I...
I am more certain of what's important in life, because all the things that you see right now happened after I almost lost everything that was important.
Yeah.
And you don't forget what it's like to roll two tomatoes back across a dirty grocery store conveyor belt.
Yeah, you don't forget what it's like to think that your family's about to be torn apart, or you're about to lose the house, or whatever.
And so I...
I am more certain of who I am and what matters, and that gift that you have been given ourselves during this lifetime, that it's the most powerful place you could possibly be.
And so I got so much out of your book.
I have loved meeting you and talking to you.
And Ocean Vaughn, what are your parting words?
You should try to scare yourself, but don't be scared of yourself.
It's important to scare yourself.
It's okay to scare yourself, but don't be afraid of yourself.
And I think we could talk a lot about ambition and craft, but the core of it is a daringness.
Try.
Risk.
Don't be afraid to be humiliated.
Don't be scared of yourself.
Thank you.
Thank you.
Thank you for your beautiful and life-changing work.
Thank you for writing.
Thank you for everything that you are doing to help us find joy, even in those moments where we are deeply struggling.
Your work really matters.
It's made a huge impact on me.
And I know that our conversation today is going to make an enormous impact on the person who's listening right now and who they share it with.
I'm so, so honored.
Thank you.
I hope so too.
Thank you so much.
You're welcome.
And I also want to thank you.
Thank you for taking the time to listen to our conversation today.
Thank you for watching on YouTube.
I am certain that you are as moved by what we discussed as I am.
And I just wanted to tell you in case no one else tells you today, as your friend, I love you.
I believe in you and I believe in your ability to create a better life.
And I hope one of the things that you'll really take away from this is that you already have a beautiful life.
You already have so much that you can be joyful about.
You have so much that you can be thankful for.
And when you hold space for that joy, when you hold grace for yourself, your life instantly becomes a little better, exactly where you are.
Alrighty, I'll see you in the very next episode.
I'll be waiting to welcome you in the moment you hit play.
God, I'm so excited.
Bri, you ready, hon?
Okay.
How are you feeling?
Good?
I'm good.
Yeah.
Oh, great.
You seem really good.
Thank you.
I'm so happy you're here.
Me too.
I feel even better now meeting everybody.
Okay.
You ready?
Okay.
Here we go.
But I don't know what the word abjection is.
It took me a while.
That's a new one.
Abject-cation?
Abject... Objection.
Oh, my God.
I play in a queer basketball league with my brother.
I'm trying to imagine that, by the way.
And so you can look at your enemy one day.
And I'm not that great at it.
I think some of the monks... I was going to say, have you gotten there?
I'm like, oh, my God.
I've gotten little glimpses.
I think the monks are much better than us.
Thank you for that.
Thank you.
All right.
Awesome.
Awesome.
Oh, and one more thing.
And no, this is not a blooper.
This is the legal language.
You know what the lawyers write and what I need to read to you.
This podcast is presented solely for educational and entertainment purposes.
I'm just your friend.
I am not a licensed therapist.
And this podcast is not intended as a substitute for the advice of a physician, professional coach, psychotherapist or other qualified professional.
Got it?
Good.
I'll see you in the next episode.
