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This is Fresh Air.
I'm Tanya Mosley.
You ever sit down with someone, start talking and suddenly hours have passed, because the stories are just that good.
That's what happened during the pandemic, when longtime sports writer Sam Smith drove up to see Phil Jackson at his place in Montana.
They talked players, they'd known games, they'd lived through the legends, the troublemakers and the geniuses.
Phil Jackson, of course, is the coach with 11 NBA championships, more than anyone in history.
He coached Michael Jordan and Scottie Pippen, Kobe and Shaq.
And before all that, he played 13 seasons in the league, making him one of the few living bridges between what the NBA used to be and what it's become.
And, as a longtime sports writer, Sam Smith has been watching almost as long from the smoky balcony of the Madison Square Garden on a 75-cent student pass to four decades on press row.
He wrote The Jordan Rules, an inside account of the Chicago Bulls' first championship season that examined the team's dynamics on and off the court.
Their new book together is called Masters of the Game, which is less of a rankings book than it is a preservation project, an attempt to capture what made certain players unforgettable, the kind of greatness Phil saw up close and Sam chronicled for years.
And Phil Jackson and Sam Smith, welcome to Fresh Air.
Thank you.
Looking forward to it.
It's a list of the masters of the game, but it's also a real history lesson on the NBA in general, taking us all the way back to the 40s, to the beginnings.
I mean, some really funny stories like smoking inside of the locker room.
There used to be smoke boys who would have cigarettes waiting for the players.
Also, the game was a small man's game, which today just seems unbelievable, because I mean, it is definitely a big man's game, you know.
These guys were proficient at the game and what they did.
And the era that they played in didn't have the same amount of high percentage shooting or even the access to the quality of material.
I mean they played in gyms that were hockey arenas and were converted and you know, basically were still just coming out of the cage area.
When you know, players played in cages and local churches and ethnic groups had their own teams and there were barnstormers that went around like the original Celtics and you know the various people that played that were predecessors of the NBA era.
So those are some of the things that we wanted to get across.
Some of these old-timers that were really influential in the game having to take a back seat because history has overlooked them.
For modern-day folks.
Younger people would just be really surprised to know that basketball was considered a small man's game back then.
And like the average player during that time, they were firemen and mailmen.
They were just like regular guys.
There were talented big men, but there weren't the numbers that there are today.
Their size was limited and obviously the court was limiting because of its depth and the actual lane size and the variety of rules that have changed the game, that have made it accessible to the modern player.
So that's why it's hard to put a judgment on the modern player versus...
You know, somebody from an era like Oscar Robertson or Jerry West or people from the 60s and late 50s and 60s, Elgin Baylor, that everybody knows talent-wise they could have been playing the game today.
You know, Phil mentioned before the word cagers.
When I was growing up in New York City, seven daily newspapers, two of which I delivered every day, basically.
But one of the shorthands for basketball was cagers.
That's what they called basketball players were cagers.
And the reason they called them cagers is is that the game was so physical and so rough in its early years that they literally played in cages to keep the fans and the players separated because there was so much violence in the game.
And so you talk about evolution of the game.
These guys were literally playing in cages, and that's why they called them cages in the 50s and the 60s.
When I told people I was talking to you guys, I mean like immediately.
And again I want to say like this is people of a certain age, like 40s and up.
Immediately, people just said right away, the NBA just isn't the same.
I mean, they love to complain.
More recently, I just hear that more and more often that the NBA just isn't the same.
And you guys don't exactly shy away from that in the book.
There are like little snippets where that comes out.
Were you all worried at all about coming across though, as like two old heads just reminiscing about the good old days.
We didn't care.
We really didn't care.
Right.
That's kind of maybe our brusque nature.
But the idea that this game is a competition that's played in narrow parameters—
And it has used television to make it a spectacle has grown the game to great proportions, where it's become an international game.
And particularly the three-point shot, has brought another sense of this game in into play, where the idea of shooting a layup or shooting a close shot is not valued as much as shooting a 25-foot shot, which has a much lower percentage, because obviously there's a point differential.
So the idea is take advantage of this, and it has become the overwhelming feature in the NBA game today.
However, all the lax rules that have contributed to this has kind of spiked this concept that this is what's the most important thing.
It's not about how to set a pick or how do you dribble a basketball or what's your footwork or what kind of passes can you make.
It's about getting the ball to the guy who's standing open in the corner for a three-point shot.
That's become the overwhelming parameters.
However, the game still relies on penetration.
That's the number one point of view.
And in our day, in the day of playing the game with big man centers and forwards and guards instead of all ball handlers like is kind of played today.
The idea that you put passes as a priority to the game to use penetration was really the feature.
And one of the things that we always remark about in the Golden State era, with Steph Curry and coached by Steve Kerr, has been their passing ability.
The number of passes that they still make in a half-court setup to get the kind of shot they want to have.
And I think that's what still made the game attractive to the people who love it now is that people pass and people set it up and there's teamwork that's going on in the competition.
Phil, as players became multi-millionaires, did they get harder to coach?
No.
I think they...
I think it is a natural instinct in players to want to be coached.
They want to know if you're going to help them be better at what they do and how they can survive and succeed along with their group or their teammates.
I think the younger players that are striving to reach that maximum contract have been difficult to coach.
And that's a small group.
That's a group of maybe five ten young players in each draft class that is sitting in a a hope scenario where they're going to be credited to be a max player at the end of a contract.
And those drives to become a max player involve not being able to sit on the bench, having to be a starter, a lot of things that coincide with what's best for the team.
And I think that youthful 19, 18, 19-year-old drive can be too selfish for a team to overcome.
I see that the Golden State Warriors are going through something similar to that right now with one of their players.
That's a highly talented kid but yet can't quite adjust to being a teammate.
You all did kind of give alternate perspectives on certain people especially.
I don't know if this is a correct observation, but I saw it the most when you talked about contemporary players.
Like, LeBron James, the self-proclaimed king.
Phil, you say he's not in your top five of the greatest, although he's a master of the game in the book and you draw this real distinction between his game and his mentality.
Can you talk about what you meant there when you say that?
Well, I think you know over the years we've watched the physical nature of this player who has dominated the game for 20 years and came in as a high school kid and stepped right into really within three years, was in a situation where he was making a difference in the basketball games.
Definitely a master of the game.
The thing that were disappointing about LeBron were things that turned him into self-reflection.
I would call it
Or you could see him fold a little bit in the course of a game or in the course of a series.
And the number of series in the finals that he has been losing part of are painful, because I know what that's like to have lost in the finals as a player and as a coach.
These are the things that kind of haunt you.
And I think it was kind of haunting.
There was a situation in Cleveland where things got disturbing and he had to challenge his love of the game or his ability to join his teammates in full participation in their games was a situation in Miami that became obvious in the playoffs with San Antonio Spurs.
And those are the things that have kind of remarked about his career, where you never saw that happen with Michael Jordan, where there was a sense of quitting or a sense of defeat.
I just want to add every time Michael got there to the finals, meaning the opportunity to win a championship, he finished it off.
And LeBron had a great run.
I think he was in the finals eight times, which is an extraordinary accomplishment.
But he didn't only finish it off about three or four times.
And from a writer perspective, one of the ways we sort of judge greatness is in basketball terms.
I get the old make the right play and team sport and all that.
But can you give the ball to somebody and he can finish it off for you?
And LeBron has never been that kind of player.
He doesn't like to get to the free throw line at the end of the games because he gets a little nervous at the line.
We talked about.
You know, Elvin Hayes was kind of like that one of the great scorers in history but didn't want the ball at the end of the game.
People are different, and some people just don't want that spotlight on them.
Michael drew the spotlight on him, and that provoked him to play even better.
This is what so many people admired about Michael Jordan is he took the blows and went right back to the free throw line if he was called a foul and did not complain.
And I think we all kind of admired him for the physicality of the game, which was at that time pretty hairy.
The Detroit Bad Boys were at their prime and maybe there wasn't as much fighting as there had been in the 70s and 60s.
But
There was still a lot of physicality that went on that was, you know, targeted players.
So this is one of the things that I admired about Michael was his ability to play.
When players were playing four games in five nights at that time, which they don't do anymore that he could play that fourth game in the fifth night as hard as he played the first game in that series of games in that week.
You made a point to say that you never asked him for anything.
And that was important for you to note that you never asked him for anything like autographs or to join anything.
And this was deliberate, almost like a way of building trust.
Yeah, you know, I witnessed that with my own group of teammates.
You know that intense feeling as of being surrounded and being, you know, assailed with, you know requests.
But this came when we were not, at that time, on exclusive floors in hotel rooms and we're still staying in holiday inns and ramadas and so forth.
I came out of my room, which was on the top floor, and there were five people outside of Michael's door.
They were all either baggage people chefs, cleaning room people, people that were literally looking for this autograph from someone that they admired.
They were their own generation, their own family type of situation.
And Michael took the time to do that.
But when it came to going in airports that were still flying commercially at that time, It was almost like he had to go into a private room to stay out of the public view until the actual gate was opened and the team could go on so that it wasn't overwhelmed by this dramatic appeal for his autograph, or to touch him, or to be part of it or take a picture.
But you as his coach, I mean you identify that for you to have that trust, to build that trust with him, to have that coach-player relationship, this component, this thing of asking him for something, even if it was anything you made a choice to say, I'm not going to be the one to ask him for anything.
How did you know that was really important in building that coach-player relationship, that trust?
I don't know.
I think it puts you on a different level when you start asking for things.
It puts you on a beneficial or receivership.
And when you want to be in an influential space with someone, You want not to have that detrimus, that little garbage, that little layer between you.
You know that just makes a difference.
And I recognize that as something that I felt was important as a leader and a coach.
I was around Michael from the beginning when he came to Chicago in 84 and at the draft Rod Thorne said look, he's a really good player, but it's not like he's going to change the franchise or something.
So it's like, okay.
And I watched this development of his.
His stage is going through multiple coaches a different coach first, three years every year, different players he was playing with.
He mentioned in his last dance documentary about his –
Being a roving drug gang, which it was, half his – literally half his teammates from his rookie year went into drug rehab.
It was a bad era for the NBA for that.
And one thing with Michael is people wanted stuff from him all the time.
And he distrusted if you wanted something from him.
And I noticed with Phil that – because early on, Michael was very dubious about Phil.
Yeah, because Phil, I remember when he came in, said and he pointed out only one player in the last 25 years, Kareem Abdul-Jabbar, had won a championship by leading the league in scoring.
Michael was leading.
He liked leading the league in scoring.
And I remember when Phil got the head coaching job, that's how I wrote the story.
I'm sure Phil didn't like it.
I talked to Michael the day Phil got the job and said he was going to institute this offensive program triangle and quoted michael saying well, i'll give it three games and see how it works and so.
But i did notice that relationship, that phil wasn't asking michael for things, he was trying to help him improve.
And over the years that's what i've seen in players.
They want two things from a coach, just two things are you credible, do you know what you're doing and can you help me be better?
And I thought that was really the reason why Phil, and then later even Kobe too, despite issues that they had, really came to trust Phil and more so, the system of play which enabled them to succeed.
Our guests today are legendary NBA coach and former player, Phil Jackson, and veteran sports journalist Sam Smith.
We'll be right back after a short break.
I'm Tanya Mosley, and this is Fresh Air.
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Kobe Bryant, like most who came after Michael Jordan, Kobe was greatly influenced by Jordan.
And before we get to your relationship with him Phil, I want to actually talk about his significance to the game.
Phil, where does Kobe fit for you among the greats?
Well, you know, he's in the book and he's one of the guys that's won, you know, five championships, which means something.
And he's been, you know, a great scorer.
He's been a big-time player at the endgame situation and has made really good decisions in competitive real competitive nature of games.
And he's had a big influence on this generation that has followed.
Big influence.
Your relationship, there's been so much written about it.
We watched it, the complexity of it.
But Kobe once said that your ability to connect with players was your biggest strength, that you'd study, as we know, psychology and human development and read about how they grew up to figure out how to reach them.
And with Kobe, what did you have to learn to reach him?
Well, he's very sensitive and that he does not take criticism lightly.
That he did not want to be compared to Michael, even though his game emulated Michael, down to the fact that he even did a number of physical movements that could only have been influenced by watching Come Fly With Me, which was an important videotape of Michael Jordan's heroics that came out in like 1990 or 89, sometime right around there.
And you know it just was a huge influence on a kid like Kobe, who was, you know, probably 10 11, 12 years of age, where boys are, you know, gravitating towards what they can do.
Well,
And this is something that he knew he could do really well.
So his game was to compete on a level that was comparable to Michael Jordan's.
And when he first came into playing for the Lakers, when I was coaching him, It was not the role I was going to perhaps give him.
I gave him a lead guard role, which meant he had to set up the floor.
He had to be able to feed Shaq, who was the primary focus of the game.
And he had to take the leftovers as part of the game as it came to him.
And a lot of times he felt left out of like, I need to explore my own part of the game.
So that's where initially we had to be juggling things a little bit between each other.
So, you know, he had to kind of face that and figured it out.
And uh, figured out how to do it and eventually I moved him into a role that was very similar to Michael Jordan's, which gave him much more latitude in the game.
As we became adapted to using a guy named Lamar Odom a guard, a 6-9 forward, that became a lead guard or an off guard.
We had a two-guard front.
So, yeah, there was room for him to grow and for me to accommodate.
Yeah.
One of the things you discovered.
Well, unlike Jordan, you discovered that he was a big reader Harry Potter and fantasy and wizards.
How did that change things as far as your relationship when you discovered that?
Well, I'd curried him about the statement that he wanted to be captain of the team.
He was 22.
And I was like, well, you don't go out with the players.
The players tell me you stay in the room all the time.
You watch tape of the game last night that you played.
You're not interested in the conversations that they're having.
If you want to be a leader, you need to really rub shoulders with your teammates.
And he was like, well, they're into hubcaps and their cars and the girls and clubs and rap music.
Those aren't the passions that I have right now.
Basketball is my focus.
So I could see that.
So I started giving him books like the leadership books, the leadership of Winnie the Pooh and the Tao of Leadership, and some books that were kind of like just talking about, you know, growing into the role that he was going to play.
And one of the things about basketball that's happened is in the days when players matriculated out of college or their college class matriculated into the NBA.
Players played three, four years in NCAA in college.
And as they went through their college years, they grew into a leadership role.
And suddenly the NBA started getting players that were either before they went to college, as a result of Kobe Bryant and Kevin Garnett and some other players that came in the game prior to even going to college.
And so they never assumed or grew into a role of leadership.
And that was one of the things I was concerned about with Kobe.
But he became a really good leader and took it to heart.
Is it right that you went to see Kobe at his office in Orange County a week before he died?
Yeah.
What did you guys talk about?
We talked about the good times.
We talked about some of the things about basketball.
Talked about his kids that he was coaching coaching a girls team in basketball where Gigi was part and really a dominant player in that world of that league.
Talked about his traversing from Orange County up into the Valley into Westlake and you know taking helicopters and you know that world that he knew a little bit because he used helicopters to travel from LAX, the airport in LA, down to Orange County.
After we come in at two in the morning,
So you know he had confidence and You know it was a heartbreak for us that were close to him and you know literally a family of girls and a wife that had, you know, really been with him since he was a 20-year-old.
So, yeah, it was tragic, and yet his legacy, I think, has really shown up.
I mean, it's been...
It's been played out and young players are carrying him forward and using his example of hard work and tenaciousness and competitiveness to their advantage.
You know, Kobe wasn't always beloved by the media.
Of course, all of those things that happened, the charges.
It really set the course right at a time when his star was rising.
But then things shifted by the end.
And what did you see?
As a reporter, as a journalist covering it, you know, seeing that full circle right before he died.
Well, part of it, as you see on TV.
Still, I mean, I don't know who endorses more products, Shaq or Peyton Manning, but they pretty much endorse everything between the two of them.
And Shaq was this incredibly popular figure with media.
And when he had this, you referred to it too the falling out rivalry with Kobe in those couple of years that eventually led to Shaq's trade.
And we still talked about that.
And we've talked about that a It's an NBA story.
I wrote about it.
Phil witnessed it firsthand, tried to litigate it.
But Shaq literally, and he was so popular, he literally went to reporters at the time.
I remember I was among those, and he asked you to choose sides.
Actually, I chose Kobe.
I was one of the few who kind of sided with Kobe.
What do you mean, choose sides?
If you weren't going to write a nice – treat me, be my –, be sort of in my – and reporters end up doing that.
You don't want to do it.
You want to create – maintain independence and most everybody did.
And Shaq verbalized it.
I heard it.
He was verbalized to me too as well as you're either with me, sort of against me.
And so –
You know, I admired Kobe more because he was serious about the game.
You know, Shaq would, as Phil knew too, understood.
I'm sure it was frustrating.
He'd sort of spend the season getting in shape.
Came to the playoffs, he could average 40 and 20.
Yeah, in his hotel room watching plays.
Yeah.
He could have been the best player in history.
He was so physically dominant.
If Shaq took the game seriously, nobody could have competed with him.
Kobe took the game seriously because he wasn't as physically talented.
His hand wasn't as big like Jordan.
He couldn't palm the ball like that and dominate the game.
And so you sort of had to make a distinction.
And I kind of sort of gravitated over toward Kobe's side.
Yeah.
Let's take a short break.
If you're just joining us, we're talking with Phil Jackson and Sam Smith about their new book Masters of the Game, a reflection of 75 defining players in NBA history.
We'll be right back after a break.
This is Fresh Air.
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I can't help but see the history of race in America interwoven into these conversations between the two of you.
I think about, Phil, when you first started as a player.
You know, it wasn't long after the league was integrated.
So you were there with these players, hearing stories from them.
A lot of these players shared their racial traumas with you.
You saw it firsthand.
You and Kareem Abdul-Jabbar, one of the masters of the game listed in the book, had an interesting relationship when you played together because you talked religion and history and jazz, but you also got into race.
Phil, you know you've been called out over the years for comments that critics say kind of reveal your discomfort with Black culture.
Scottie Pippen said some things about you that a lot of people stood up and said like we don't believe this.
This is not true.
But he called you a racist.
I mean, how do you receive that stuff?
When you reflect on your time and the comments that you've made over the decades,
Well, I can't recall any of the comments I've made that have been controversial, but certainly that is a difficult thing to hold up with.
Once you're called a racist, it becomes like a label.
You don't live away from it or you don't overcome it by saying no, some of my best friends are black.
No.
That's not how you do it.
There's no redeeming value in that particular thing.
But it was an incident.
That was an incident in which Scotty didn't get the opportunity and he was kind of lashing out about an incident in which it was a basketball reaction and a basketball decision that I made.
But one of the joys of being able to play in the NBA has been the relationship and the teammates that I've been able to play with that have come from all diverse groups of people.
And the African-American kids that have grown up in certain situations that have been trials like.
Walt Frazier grew up in Buttermilk Bottoms in Atlanta.
And, you know, his dad was a numbers guy.
And he had all sisters around him growing up.
And there was a certain kind of depor or repor that he had with the community because of it.
And, you know, Earl Monroe seeing someone in his neighborhood growing up as a kid.
And, you know, those things leave remarkable images and damages to your soul and heart.
And so for me, being a kid growing up in Montana and North Dakota, These were experiences I could only relate to as unique experiences that were tribulations and trials that people overcame.
They were heroes.
They were really something very special to come and have that ability to play.
What's something from this book, from your lives covering or being in the NBA or being a coach in the NBA, that you want a young fan in 50 years maybe to hold on to?
Because you've now written this book that is now a chronicle.
You know, it's a piece of history that we can now look back on.
My point would be sort of the history, sort of to appreciate what and who has come before you, what they achieved, how they went about it, and sort of learn from it and respect it.
And, you know, that's kind of what I did.
I mean, obviously it was a joy spending time with Phil and being able to share all these memories and the history.
I think you know that's sort of the fun of it.
But also to appreciate what those who preceded you went through and had to overcome, those obstacles you even related to before, to help get us sort of to stand on the shoulders of the past, kind of thing.
Nice, Sam.
Yeah, I would say Tonya, that it's been my privilege to be in the NBA, around the people in the NBA, and to have played with teammates that have won championships and have coached players that have been desirous of being unselfish, cooperative and desirous of competing at a high level and accepting the coaching and the instructions and the lifestyle and culture that somehow surrounded them when I've been in their presence.
Phil Jackson and Sam Smith, thank you both.
You're welcome.
Good to talk to you.
Thank you.
Phil Jackson and Sam Smith.
Their new book, Masters of the Game, is a reflection on 75 defining players and NBA history.
Coming up, film critic Justin Chang tells us his favorite films of the year.
This is Fresh Air.
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Film critic, Justin Chang, spent a lot of time this year watching movies at festivals and theaters and on his couch.
He says that, contrary to what popular opinion or gloomy box office headlines may tell us, 2025 has been the strongest year for new movies in a long time.
Here's Justin's list of the best films of the year.
Anyone will tell you that these are tumultuous, borderline apocalyptic times for the film industry.
Box office is down.
The threat of AI looms.
Billionaires and tech giants are laying waste to what remains of the major Hollywood studios.
I'm not entirely sure how to square all this bad news with my own good news, which is that I saw more terrific new movies this year than I have any year since before the pandemic.
True, most of those movies weren't from here, but all of them played in US theaters in 2025, and all of them are well worth seeking out in the weeks and months to come.
The best new movie I saw this year is Sirat, a breakthrough work from a gifted Spanish filmmaker named Oliver Lache.
It's a nail-biting survival thriller set in the desert of southern Morocco during what feels like the end times.
It's a little Mad Max, a little Wages of Fear and, all in all, the most exhilarating and devastating two hours I experienced in a theater this year.
Sirat also features the year's best original score composed by the electronic musician Kang Ding-Rae.
The second film on my list is One Battle After Another Paul Thomas Anderson's much-loved, much-debated reimagining of Thomas Pynchon's novel Vineland.
An exuberant mashup of action, thriller and political satire.
It stars Leonardo DiCaprio in one of his best and funniest performances as an aging revolutionary drawn back into the field.
He leads an ensemble that includes Teyana Taylor, Benicio Del Toro, Sean Penn, Regina Hall and the terrific discovery Chase Infinity.
In this scene, DiCaprio's character, Bob Ferguson, calls up someone from the French 75, the underground movement he was part of years earlier.
Unfortunately, he can't remember the elaborate series of passphrases needed to verify his identity.
Well, look, maybe I can maybe I can give you some information and then you give me some information.
All right.
We'll just share a little information.
My name is Bob Ferguson.
I don't know if you've ever heard of me.
All right.
I was part of French 75 for years, years and years.
All right.
They used to call me Ghetto Pat, Rocket Man, stuff like that.
Only problem is I fried my brain since then, man.
I have abused drugs and alcohol for the past 30 years, man.
I'm a drug and alcohol lover and I cannot remember, for the life of me or the life of my only child, the answer to your question.
Number three is Caught by the Tides, an unclassifiable hybrid of fiction and nonfiction from the Chinese director Jia Zhangke.
Drawn from a mix of archival footage and newly shot material, it's a one-of-a-kind portrait of the myriad transformations that China has gone through over the past two decades.
At number four is another structurally bold Chinese title.
It's called Resurrection, and it's a bit like an Avatar movie for film buffs.
Placing us in the head of a shapeshifting protagonist.
The director Bi Gan takes us on a gorgeous, dreamlike odyssey through various cinema genres, from historical spy drama to vampire thriller.
My number five movie is the year's best documentary.
My Undesirable Friends, Part 1, last air in Moscow from the director Julia Loktev.
It's a sprawling yet intimate portrait of several Russian independent journalists in the harrowing months leading up to President Vladimir Putin's invasion of Ukraine in 2022.
As a portrait of anti-authoritarian resistance.
It pairs nicely with my number six movie, The Secret Agent, an emotionally rich, sneakily funny and continually surprising drama from the director Kleber Mendonca Filo.
Set in 1977, it lays bare the personal cost of dissidence during Brazil's military dictatorship.
At number 7 is the German drama Sound of Falling.
Although not a horror film exactly, it qualifies as the best and spookiest haunted house movie I've seen this year.
Directed by Masha Shalinsky, it teases out the connections among four generations of girls and young women who have passed through the same remote farmhouse.
At number 8 is April, from the director, Dea Kolumbigashvili a tough, bleak but utterly hypnotic portrait of a skilled OBGYN trying to provide health care for women in a conservative East Georgian village.
It may be set far from the US, but the difficulties these women face would resonate in any setting.
My number nine movie is the Zambian film On Becoming a Guinea Fowl, directed by Rungano Nyoni.
It's a subtly mesmerizing drama about a death that takes place in a middle-class household, setting off a chain of dark revelations that threaten to tear a family apart.
And finally, my number 10 choice won the Palme d'Or at this year's Cannes Film Festival.
It Was Just an Accident is a shattering moral thriller from the Iranian director Jafar Panahi, about a group of former political prisoners who are given a rare chance at retribution.
In the past, Panahi has been a prisoner in Iran himself, and earlier this month the government sentenced the director in absentia to a year in prison.
I hope that Panahi never sees the inside of a jail cell again and that his movie is seen as far and wide as possible.
Justin Chang is a film critic for The New Yorker.
You can find his 10 best list on our website at freshairnprorg or Patrick Marquis about the surge in homelessness in New York and across America.
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