Okay, ready?
I don't know this one.
Okay, ready?
I don't know this one.
It's like I have ESPN or something.
My breasts can always tell when it's gonna rain.
Just kidding.
This is Mean Girls.
Classic Mean Girls, like i have espn or something.
My breasts can always tell when it's gonna rain.
I was really struggling not to laugh every single take and actually you can see it in the movie.
I say my breasts can always tell when it's raining and then i laughed but mark waters used that take and he cut because there probably weren't any takes where i wasn't like my breasts can always tell when it's.
That movie was just full of just me falling apart, constantly trying to stay in control of my giggles.
Most actors can agree that walking into a room full of people who want the same job is just absolutely intimidating beyond words, especially when you're 16, 17 years old.
But at the same time, it's like it gets your juices flowing.
I don't care if you've slept with hundreds of them.
You're my mom and I love you so much.
Oh, this is Mamma Mia.
Yeah.
That's like the character that is most closely relates to me, Amanda.
Having Meryl play your mom is pretty sweet.
I don't care if you slept with hundreds of men.
You're my mom and I love you so much.
I auditioned for this movie because everybody auditioned for this movie.
No, I knew I was a shoo-in because I was also a trained singer.
I originally wanted to be a singer.
I was training privately once a week since I was 10 and I auditioned for Annie on Broadway.
I was coming to New York City a lot for singing auditions.
I remember going to a record label at some point.
Anywhere I could sing, I would sing.
It was all music for me until I was about 14, 15 when I started auditioning for speaking parts in things and pilots and stuff in New York City.
So I was doing it all, and singing just felt like something that I had committed most to.
So I felt like that was the thing I needed to focus on, and it really didn't end up that to be that I ended up being a singer.
Okay.
Okay.
What's up, Vagisil?
That's from Jennifer's Body.
What's up, Vagisil?
It was the first time I got to play like a quote-unquote nerdy character and, you know, get to exercise.
Stretch my skill set or at least how I was viewed in Hollywood.
I think it was really important to get that opportunity and Diablo Cody just wrote bangers every time.
I did get a text from Mason, our producer, about there being a sequel, and I've talked to Karin a lot.
There's just like a lot of people that were involved that I think understand the the desire to make another one, and I haven't seen a script and I don't know what it would be like.
But I am curious to see where Needy goes.
Of course I would play her again.
My only request would be for Amy Sedaris to come back as my mom.
That was pretty special.
I want you to feel safe here.
Is this from the dropout?
Hold on, I want you to feel safe.
Oh!
I want you to feel safe here um, i want you to feel safer, oh god um um wow um yeah, so it's it's, it's recent and it's um.
It's a movie.
It's not mama mia 2, it's not may, it's not things heard and seen.
It's um um Oh, come on.
It's Long, Bright River.
It's, um... Oh my god, it's the housemaid.
It's too soon, too recent for me to remember.
My long-term memory...
Short term, not so good.
I want you to feel safe here.
Sid and I just giggled throughout.
It was a pretty short shoot as well.
It was wintertime in New Jersey.
I just felt at home.
I was so delighted to get such an incredibly fun role.
And with Paul Feig's notes and Sidney's presence, with no matter what I did or said, she was like she stayed in the moment, which is hard for me to do.
We enjoyed ourselves a lot.
It's... You will live, Papa, you're going to live.
It's too soon, too soon to say goodbye.
Oh, this is Les Mis.
You will live, Papa, you're going to live.
It's too soon.
It's too soon, too soon to say goodbye.
It's my visceral experience.
Beautiful scene.
Heartbreaking scene.
So much crying.
It's very hard to sing when you're crying too soon, too soon to say goodbye, like it's just.
It's like I, you know what I mean.
I don't even know how it's and could you understand.
That's what I was singing through my tears, but heartbreaking because Hugh is amazing and heartbreaking in that role and he's dying in front of you and you're singing and we just did it a lot and we did it a lot.
It feels like yesterday we did it a lot, but it was so cathartic too, so hard.
Wow, that was a hard hard hard hard hard hard, hard movie.
It was a lot of me just hating, hating what I sounded like and not really enjoying the fact that there was an opportunity to do something new and do something so rewarding with the singing and expressing yourself through song.
It's just so special.
I was covered in the downy air, which I shed as I was reborn into the most astonishing visions.
I cannot do the Mancunian accent anymore.
I was covered in a downy hair, which I shed as I was reborn into the most astonishing visions.
This is from Anne Lee.
This is the testament of Anne Lee.
I was covered in a downy hair, which I shed as I was reborn into the most astonishing visions.
It was so difficult to do that accent that I had to do the accent a lot at home, to the point where my son would just go around saying this accent is very fucking hard.
And at that time he was three.
He's five now, he still says it.
I'm taking lots of lessons and I'm speaking to my accent coach and yet we're designing this accent.
So there are lines.
That will sound more southern.
So it's not English as much as it is Maxine Peake, who's a contemporary actress.
And I still can't fucking do it anymore because it's been a while.
But it was fun.
At the end, it was fun because I was almost done.
But I do remember...
I'm laying here with fake sweat on me and my makeup artist put some makeup on my collarbones to make it look sunken, and I had to stay in this kind of position to make myself look like I was starving.
Really, there are tricks.
You don't have to starve yourself.
That's a secret.
And I'm laying there, like With this monologue, this just relentless, unending monologue, over and over again, with this accent that I still felt like I was reaching for all the time.
I'm surprised more people haven't destroyed my accent in this movie.
Two weeks together, that's all it took.
Two weeks for me to fall in love with you.
This is Dear John.
Two weeks together, that's all it took. two weeks for me to fall in love with you.
Dear John, again like just an enjoyable memory, enjoyable process, enjoyable people, enjoyable place, enjoyable Chan.
Like, I was just free as a bird.
I just felt so happy and so grateful.
And, you know, we didn't know if it was going to be a huge hit or not.
We knew Nicholas Sparks was a prolific writer in that genre.
And we just, you know, it was a beautiful story that people could relate to.
At the end, we had to reshoot something.
We had to add the ending.
Because the ending was like, they don't end up together.
And they were like, this is too depressing.
Do I have fuck me eyes?
That's from Ted too.
Do I have fuck me eyes?
I didn't have any interest in being a sequel.
And I can't really put my finger on why.
I'm sure there's like many reasons.
But I definitely was like, I...
I don't know.
But then there was an opportunity, because I do believe that Mila might have been pregnant and that's why she didn't do it.
And I just worked with Seth on A Million Ways to Die in the West.
And so I was like, oh, yeah, you want me to?
Sure.
Great.
I love it.
I like Mark.
I think he's a great actor.
And this movie is not necessarily like my favorite genre, but it really.
Ted did make crack me up and i thought it'd be funny to make a movie that had a lot of money to make it.
You know, all those little luxuries you don't get when you do indies.
In terms of acting like, i got to stretch my imagination a lot because we were all talking to a stick with a tennis ball and seth's voice was over there, and so i'd be like oh right, ted the bear is gonna be there.
Sometimes we did have the bear, Sometimes we did not have the bear.
And it was very fun.
I had a lot of fun.
In fact, I'm doing the Ted series, the animated series.
So for the last 10 months I have been voicing Samantha Jackson for the very very, very funny way.
Funnier animated show that's about to come out.
I don't usually meet with women couples, yes, but a single woman, that's Khloe.
I don't usually meet with women.
Adam Magoian, he put me on the map in a different way.
He gave me an opportunity to show range at a time when I desperately was looking for it, like with Jennifer's body and Khloe.
I was able to step outside of the blonde boobie girl and show some chops.
Do or do not, there is no try is Elizabeth Holmes.
And she did say that.
Do or do not.
There is no try.
You know a lot of making television based on real people.
You know having your own portrayal of something.
The key is to create a version of it, right?
And we created a version of what she might have been like in her private life.
She gave us a treasure trove of information.
I have 10 hours of deposition tapes.
Because of the nature of her life, she was very, very, very public.
And we have all that. to base the story on.
And then there are other things, through interviews of people that knew her and people that she worked with.
They gave a lot of information as well.
And there's a lot of books and there's documentaries.
And I will say for better, we gave context for better.
We made her more human in times when it was hard to relate to her as a human being.
Okay.
Ready?
I'm sorry.
I didn't know true love had an expiration date.
Um, I'm sorry.
I didn't know true love had an expiration date.
Oh, Letters to Juliet.
I'm sorry, I didn't know True Love had an expiration date.
I just took so many photos of my time in Letters to Juliet.
I had my Canon camera and I was just, It was all like kind of sepia-toned.
And my mom came to visit, my dad came to visit, my friends from London came to visit, my grandmother came to visit.
I have, like, a photo of her with a wig on.
Like, that was amazing, the spinach sandwiches that they would make for lunch.
And they would make this...
Mozzarella sandwiches for lunch in Italy, like Verona.
Everything about it was.
That was the last kind of old movie I feel like I made in the way they made it with film.
And Gary Winnick was beautiful.
Director Vanessa Redgrave is just an international treasure.
Nobody but nobody makes a monkey out of William Randolph Hearst.
That is Manc.
Nobody but nobody makes a monkey out of William Randolph Hearst.
That is my favorite David Fincher.
First Oscar nomination and working with Gary Oldman, two iconic figures in Hollywood.
So much of this was in honor of my dad, who's alive, but just very much.
I grew up with 16mm and 35mm prints in my basement reels of Buster Keaton and Charlie Chaplin, and the fact that this is
Talking about, like MGM and black and white movies and Hollywood, is just.
It's everything that my dad, you know, dreams of at night.
And it's the biggest hobby.
And to be able to kind of invite him in even deeper by playing her and getting celebrated for playing her and the movie getting recognition.
That was just like a really crazy beautiful experience for me.
