Upon arriving in San Francisco, White Fang experiences a profound sense of disorientation. The environment is described as a "crowded, busy dock," which stands in stark contrast to the wild, open spaces he previously inhabited. For the wolf, the city is an assault on his senses: "There were concrete roads, tall buildings, cars, and so many people everywhere." The sheer density of "human legs" and the constant noise leave him feeling "terrified" and lacking his usual "sense of direction." In this alien landscape, White Fang becomes "completely dependent" on his master, Whedon Scott, tethering his entire existence to the young man's heels to avoid being lost in the chaos.
White Fang’s anxiety peaks when he is placed in a "baggage car" at the railway station. Despite his fear that he might "lose sight of his master," his instinctual loyalty prevails; he remains by Whedon's bags, "keeping careful watch." When he emerges from the train, the transformation of his surroundings is immediate. He arrives in California, a land of "rolling hills and green forests"—a stark departure from the northern wilderness. This new environment offers him a sense of relief, as he is finally able to run again after the "difficult" and confined experience of the boat ride, allowing him to reconnect with his natural vitality.
As the family reunites, White Fang faces his first major social challenge: understanding human displays of affection. When Whedon's parents embrace their son, White Fang interprets the physical contact as an "attack." He becomes a "snarling, raging demon," driven by the protective instinct to defend his master from what he perceives as physical harm. Whedon acts as a mediator, reassuring his mother and commanding White Fang to "sit quietly." Through these firm, consistent commands, the wolf begins to learn that such gestures are not dangerous, illustrating his rapid capacity to adapt to new behavioral expectations.
Upon reaching the family home, White Fang encounters further stressors. His past experiences with children, who had "often teased or hurt him" in the Indian village or "threw sticks and stones at him" in Fort Yukon, lead him to maintain a wary distance from the two children present. More significantly, he faces territorial hostility from the resident farm dogs: a "hound" that nips at his heels and a "collie" that actively blocks his movement. White Fang feels "panicked" as he is restricted from approaching Whedon.
The resolution of these conflicts highlights the growing bond between the wolf and his master. When Whedon intervenes, calling out to the collie to "stop that," the tension dissipates, and White Fang immediately returns to his master's side. Judge Scott, observing the wolf's behavior, notes, "He's certainly attached to you," acknowledging the deep loyalty White Fang has developed. Whedon recognizes the wolf's unique history, noting that while the wolf "trusts me," he "hasn't had much experience with other people." Ultimately, by choosing to keep White Fang close to prevent further conflict with the farm dogs, the family begins the process of integrating the wolf into their domestic life, with White Fang firmly established as the vigilant guard standing "close to Whedon's side."