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Hello, everyone. Stuckhue here.
And I'm Gabby. And we are the hosts of History of Everything, a podcast, which you can probably guess by the name, is well, I mean, it's about everything.
Do you wanna know why people thought potatoes were evil and would give you syphilis?
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History this week, December 21st, 1970.
I'm Alana Casanova -Burgess.
It's early in Washington, D .C., 6 .30 a .m., to be exact.
Nobody is showing up for work at the White House for another hour.
And yet, a limousine pulls up to the front gate.
And out steps Elvis Presley.
When you picture Elvis, especially 1970s Elvis, that's exactly how he looks here.
He's wearing a white unbuttoned shirt with an extremely oversized collar, a quote, karate -style two -piece purple suit with a black cape draped over his shoulders, accessorized with black sunglasses, a gold medallion necklace, a huge gold cape draped over his shoulders, a gold belt buckle, and a gold -handled
walking stick. His face is also pretty swollen.
Elvis has been eating a lot of chocolate recently, which is interacting with medication he's taking for an eye infection and causing an allergic reaction.
When you take all of this together, his friend who was with him later said he walked up to the White House gate, looking like Dracula.
So when the guards on duty first see this guy getting out of the car, they're basically like, get lost.
But as he walks up closer, they realize this is actually Elvis.
Elvis explains that he's there to drop off a letter, a letter that he had handwritten just for President Richard Nixon.
Did Elvis have any relationship with Nixon?
No. Had he even met the president before, no.
Did he come up with this plan less than 24 hours ago?
Absolutely. In this letter, Elvis writes, quote, I would love to meet you just to say hello if you're not too busy.
He's also brought a gift for the president, which White House security won't be thrilled with, but his ultimate goal, the real reason he asks for this meeting, Elvis wants President Richard Nixon to deputize him as a federal agent.
Today, a legendary meeting between two American icons from completely different worlds, the president and the king.
What's going on in Elvis Presley's chaotic life that leads him to seek this meeting with Richard Nixon?
And when they come face to face, what did they talk about?
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By 1970, Elvis Presley has lived many lives.
He was a young boy in Mississippi and then in Tennessee, exposed to a world of gospel and blues music that he incorporated into his signature musical style.
Then, he bursts onto the scene as the hottest act in America, the first true rock star.
Then, he's in the military, stationed in Germany.
Then, he comes back to America, becomes a movie star in Hollywood.
Then, in the mid -60s, his career starts to decline.
But then, he records his comeback special in 1968, and within a year, he's the biggest act in Las Vegas.
He has more fame than virtually anyone's ever experienced.
You know, he's viewed as sort of this God.
John Loewy wrote a book on the Elvis -Nixon meeting.
But his rock and roll phase is over.
His movie phase is over.
He's into, you know, what you think of as sort of his Vegas years.
Elvis takes up residency at the International Hotel on the Vegas Strip.
Every single show he plays is sold out.
And yet, Loewy says, this is not the same Elvis he was at his peak.
He's more of a pop singer.
I think he's still a phenomenal performer, but I don't think it was the creativity that you saw in the early years.
Yes, he's delivering for his audiences, night after night.
But he's doing that while dealing with a very serious problem behind the scenes.
There are times where he takes the stage and he's clearly on drugs.
Elvis had been taking what would casually be called uppers and downers for years.
They were likely amphetamines and methucoilone or quaaludes.
They were technically prescribed by a doctor, but Elvis was almost certainly abusing them.
The Vegas residency, however, exacerbates this problem.
Doing as many shows as he's doing, he's relying on the uppers to perform and the downers to get enough sleep.
Even though he's fairly young at the time, I'd say very young, he's about 35, I think he's peaked and is certainly on the decline.
This decline, it may be best understood at this time by Elvis' increasing paranoia.
People close to him notice that he's becoming obsessed with guns.
He's sometimes armed when he's taking the stage at the International Hotel, and when he's not on stage, he's firing off shots in fits of anger.
It's a bad situation.
On December 3, 1970, Elvis starts a shopping spree.
He'd always been a bit of a spender.
From the time he's 21, you know, he has more money than he knows what to do with.
But this time is different.
He starts by buying $20 ,000 worth of guns, adding to his growing collection.
He buys a house for a friend in Los Angeles.
He buys four Mercedes, one for him, one for a friend, one for an actress he's seeing and one for his dad.
He buys 12 new pairs of customized prescription aviator sunglasses with his signature Lightning Bolt and TCB initials engraved on the side.
TCB being taking care of business.
And then there's his usual holiday shopping at a Beverly Hills jewelry store where he likely spends upwards of $20 ,000.
On December 19, after he's arrived back home at Graceland in Memphis, Tennessee, Elvis is confronted.
That's when his wife Priscilla and his father Vernon talked to him and sort of say the spending is out of control.
Priscilla and Vernon tell Elvis, you're spiraling.
You're going to run out of money.
And the Colonel agrees with us.
That's referring to Colonel Tom Parker, Elvis's longtime manager.
Elvis doesn't like being ganged up on, especially when the Colonel is involved.
And that apparently is what really pushed the last button for Elvis.
And he stormed out of Graceland, gets in a car and drives off.
But you really got to step back and think about the way Elvis lived his life to realize how strange that is.
He didn't go out and do things by himself.
According to Priscilla, it's the first time she can remember him traveling anywhere alone, without his entourage or even a single bodyguard.
She says he doesn't have any money on him.
He doesn't even know his own phone number.
But somehow Elvis ends up flying to Washington, D .C., then to Los Angeles.
On the way to L .A., he calls his friend Jerry Schilling, tells him to meet him at the airport, but not to tell anyone else.
It's pretty bizarre.
And it's a sort of frenetic pace that you would think would be someone who was on some sort of operas.
It's 2 .17 in the morning on December 20th.
When Elvis gets off the plane, the first thing Jerry Schilling notices is Elvis's face.
It's puffy. Elvis says he knows it's from eating chocolate, which he's well aware causes an allergic reaction with the medication he's taking for an eye infection.
Once they're back at Elvis's L .A.
home, Schilling calls in a doctor who says, Stop eating chocolate.
By the afternoon of the 20th, Elvis has a plan.
He won't tell Schilling what it is.
He only says, I have to go back to Washington, D .C.
But first? Before they leave, Elvis goes into one of the rooms and takes a Colt 45 revolver, which is in a frame with him.
Soon enough, Elvis is on an American Airlines flight heading back to Washington with Jerry Schilling.
On the flight, Elvis meets a soldier coming home from Vietnam.
He gives him $500, all the cash he has on him.
Maybe it's his Christmas spirit.
Then he makes a request.
Elvis gets some American Airlines stationery from what were then called stewardesses and handwrites this letter to President Nixon.
It begins, He then outlines what he sees as the problem with America.
He has concerns about drug culture, hippies, Black Panthers, anti -establishment, anti -war.
He says, while these forces are a concern, they, quote, do not consider me as their enemy.
He wants to help the country.
He's patriotic American, and he says he wants this badge as a federal agent at large.
A federal agent at large.
That position doesn't really exist, but Elvis wants that badge for a few reasons.
One, he likes badges.
A lot. He collects them, travels with them.
Jerry Schilling thought he wanted this federal badge so that he could legally travel with his guns.
John Lowy has another theory.
In Elvis's mind, maybe it was sort of the magic past where he could go anywhere he wanted with pockets filled with drugs.
But Elvis's pitch to Nixon doesn't mention guns or drugs.
He says this title will help him with all of these concerning elements in society.
The hippies, the anti -war movement, the drug culture, even communists.
Elvis writes, I've done an in -depth study of drug abuse and communist brainwashing techniques, and I'm right in the middle of the whole thing where I can and will do the most good.
Okay, so it's fair to say that this letter is pretty bizarre.
We don't know if Elvis was quote unquote on drugs when he wrote it, but we do know that he is abusing drugs around this time, which raises the question.
Isn't it a little hypocritical using drugs and going after drug culture at the same time?
I think that Elvis would view his drug use as something very different from other drug use, because his drug use, I think he would view it as legal because he got a prescription.
Which is true. He wasn't buying quote unquote illegal drugs on the street.
He really was viewing what he would view as the drug culture as pot smoking, acid dropping, as a very different world.
Elvis finishes writing this letter, and the plane lands early in the morning of December 21st in Washington, D .C.
They head to the White House straight from the airport.
He pulls up to the gate in his limo, gives his letter to the guards, face Puffy from chocolate, dressed in his full Vegas get -up.
The people who dealt with him, I think one reaction is, oh my God, I can't believe Elvis Presley's here, and the other side of it is, maybe this is a prank, maybe this is a crazy person who is dressed up like Elvis Presley.
But it is, in fact, Elvis Presley, and the White House takes this letter quite seriously.
The White House bureaucracy, what happens to letters like this, probably accelerated quite a bit because this letter is from Elvis Presley, one of the most famous people on the planet at the time.
While the letter works its way up the chain of command, Elvis travels to the Bureau of Narcotics and Dangerous Drugs, or the BNDD, the predecessor of the DEA.
He meets with John Finlader.
John Finlader is deputy director of the BNDD.
And Elvis asks for this badge, and Finlader turns him down.
Meanwhile, Elvis's letter has reached Nixon Chief of Staff H .R.
Haldeman. Haldeman's assistant writes in a memo.
Something like, it would be good for the president to meet one of the bright young minds in the country.
In the margin, Haldeman writes, you must be kidding.
But it's not a joke.
The meeting is approved.
Elvis can come meet the president.
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Elvis Presley enters the White House around noon, but the Secret Service stops him in the West Wing lobby.
Secret Service says we've got a problem.
Elvis has a gun. This is that cult 45 that Elvis had brought from his home in Los Angeles.
He thought it would make a great gift for the president.
The gun that he wants to give Nixon is in a frame, so I guess they're satisfied that it's safe enough.
But the Secret Service still makes him give them the gun.
At 12 .45pm, Elvis Presley walks into the Oval Office.
The first thing they do is pose for photos.
Then, it's time to take care of business.
They cover a lot of ground in this meeting.
Elvis starts by showing off his badge collection.
He brings a whole bag of them, and spreads them out on Nixon's desk.
The White House memo later read, Presley immediately began showing the president his law enforcement paraphernalia.
Elvis then tells Nixon about his Vegas residency.
Nixon says sort of strangely that he knows how difficult that is.
How could President Nixon know how difficult it is to play in Vegas?
It is sort of funny that both Nixon and Elvis are telling the other things that they think the other one wants to hear, even though they may not believe it or may not be true.
Elvis also takes a moment to criticize his perceived rivals in the music industry.
He calls out the Beatles, saying how they came to America, and then went back to England and promoted anti -Americanism.
Nixon seems basically in agreement and saying how the drug culture is part of the anti -war movement that he's battling.
Elvis then continues through the talking points of his letter, that he's on Nixon's side, that he's worried about communism.
But then he gets to the point.
The badge. He asks if Nixon can get him one.
Presidential aide Bud Crow later writes that Nixon, quote, looked a little uncertain at this request.
But after some consultation, he basically says, sure, I can do that.
Elvis says, thank you very much, sir.
This means a lot to me.
And then Elvis does reach out and hugs President Nixon, which, you know, unusual for someone to do with any president.
For Nixon, extremely unusual.
Nixon is a very standoffish guy.
You know, somewhat awkward body languages all sort of stay away from me.
But it just showed Elvis just feeling he was connecting and wanted to connect with the president.
Elvis scoops up the badges he brought and heads out of the Oval Office.
Bud Crow writes that he left like a kid who'd just received all of the Christmas presents he'd asked for.
And in his 35 years, he's lived a life that a child might dream of.
He got to be a musician, a soldier, a movie star, the king of a rock.
And now he'd sort of become a federal agent.
Soon after, John Finn later comes to the White House.
He's the guy who had denied Elvis his badge earlier that day.
Well, now he has one just for Elvis, even if it's mostly just for show.
I think he knows that the most authority could possibly give him in his fantasies would be to let him get on airplanes with drugs and guns.
But it does seem like he is seeing himself as this sort of a superhero.
And part of that is totally fair for him to think that because he's been viewed as a superhero.
He is sort of a superhero, has been a lot of his life.
And so the badge is sort of tied up into that.
This meeting, it's kept a secret.
A whole year goes by before the story breaks, but nobody really pays attention to that newspaper column.
The Big Splash comes 18 years later when the photos from the meeting get published in 1988.
In the first week that the National Archives makes them available for sale, 8 ,000 people request copies.
The most famous of those images, the two men standing side -by -side, shaking hands, facing the camera, Elvis in his Vegas attire, Nixon in a suit.
To this day, it is one of the most requested items from the National Archives, more so than images of the moon landing or of the Constitution.
Its informal title?
The President and the King.
They both came from nothing, achieved a tremendous amount, became controversial.
It's almost like an ancient myth or something, an image that you can just draw a lot of meaning to.
And I think to some people it represents two strands of America and encompasses a lot of America in that picture between these two lives.
Elvis and Nixon kind of maintain a relationship after their meeting.
Apparently when Nixon was in the hospital, Elvis contacted him to wish him well.
When Elvis was in the hospital, Nixon contacted him to wish him well, so they did at least maintain some sort of contact.
But Elvis never works for the White House officially.
The BNDD does call him every six months to make sure he hasn't lost the badge.
They wouldn't want someone out there posing as a federal officer.
For Elvis, it doesn't give him carte blanche to take guns or drugs on airplanes like he wanted, but it clearly has deep importance.
He carries this badge with him for the rest of his life.
Thanks for listening to History This Week, a Back Pocket Studios production in partnership with the History Channel.
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And if you have any thoughts or questions, send us an email at historythisweek at history .com.
Special thanks to our guest, John Lowy, founder and president of Global Action on Gun Violence and author of Elvis and Nixon.
This episode was produced and sound designed by Ben Dixteen, produced by David Weisbord, and story edited by me, Alana Kasanova -Burgess.
For Back Pocket Studios, our executive producers are Ben Dixteen and David Weisbord.
From the History Channel, our executive producers are Eli Lair and Liv Fidler.
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