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[The Twisted Plots of Ira Bernstein: A Deep Dive into 'Take Two']-[Talking Dateline: Take Two]

Dateline NBC · B2 · 2026-03-18

True crime
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📋 Summary

The Unfolding of a Murder-for-Hire Saga

The Dateline episode titled "Take Two" presents a harrowing, real-life narrative that feels, as host Andrea Canning describes, "like a wild roller coaster" and "a movie." The case centers on Ira Bernstein, a podiatrist, and his wife, Susan, whose marriage was marred by long-standing trouble and an "extravagant lifestyle." Ira’s life took a dark turn when he reconnected with a former patient, Kelly Gribluck—a woman of "eclectic career" backgrounds—leading to an affair and, subsequently, a chilling plot to have Susan murdered.

The Heroics of the Whistleblower

A pivotal element of this case is Markenzie, an acquaintance approached by Ira and Kelly to facilitate the killing. Rather than staying silent, Markenzie sought to "bring you two down because this is wrong." His involvement was extensive and dangerous; he worked closely with investigators, repeatedly meeting the conspirators in parking lots while "wired" for sound. Canning notes that Markenzie’s brilliance lay in his ability to "think on his feet," particularly during a heart-pounding moment when Ira spotted a hidden camera, only for Markenzie to cleverly deflect the suspicion by claiming it was for his children's games.

The Recurring Threat and Victim Mentality

Perhaps the most "mind-boggling" aspect of the case is that after serving time for the first plot, Ira Bernstein allegedly began plotting to kill Susan again, this time recruiting a landscaper. Throughout the investigation and subsequent legal proceedings, Ira consistently displayed a "victim mentality." Even during his sentencing, he refused to take responsibility, blaming the landscaper and others for his predicament. Canning reflects on the "clear contempt" Ira held for Susan, framing her as "lazy" while he claimed the burden of maintaining their lifestyle, revealing a profound lack of understanding regarding the realities of raising a family.

Absurdity and Failed Plots

The absurdity of Ira’s criminal imagination is highlighted by a revealed, yet unaired, conversation between Ira and the landscaper. Over "wine and cheese," Ira proposed planting drugs in Susan’s car to have her arrested—a plan the landscaper dismissed as "the stupidest thing I ever heard." This incident, along with the fact that Ira had been the "official podiatrist for the police department," underscores the surreal nature of the events. Canning notes that while the absurdity of these plots might elicit laughter, the reality remains "heartbreaking" for Susan, who lived with a "target on her back" due to her own husband.

Reflections on Justice and Accountability

The episode concludes with a look at the aftermath. Kelly Gribluck, who acted as Ira’s "shield" and protector, remains a complex figure who claims to be in love with him, despite his willingness to let her face the consequences. Meanwhile, Susan’s life has been irrevocably altered, yet she has found support in unexpected places, forming a friendship with Markenzie, whom she calls one of her "angels."

Ultimately, the case serves as a grim exploration of human malice and the ease with which individuals can "hatch these ideas" of murder. Ira Bernstein’s inability to be "dissuaded" from his violent intentions remains a chilling reminder of the dangers posed by those who perceive themselves as perpetual victims, forever shifting the blame onto others while their own "wheels were turning" toward destruction.

🎯Key Sentences

1
This case truly has just about everything.
2
This was all over the place.
3
I didn't know what to expect.
4
Next thing you know, they are plotting to have Susan killed.
5
Ira picks badly for assassins.
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📝Key Phrases

1
come to fruition
2
go about one's business
3
think on one's feet
4
trust one's gut
5
something is amiss
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📖 Transcript

Hi, everyone.
I'm Blayne Alexander.
And today we are talking Dateline.
I'm here with the one and only Andrea Canning.
Hi, Andrea.
Hey, Blayne.

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