In the July 9th episode of the Word of the Day podcast, host Peter Sokoloski introduces the term simulacrum (spelled S-I-M-U-L-A-C-R-U-M). As a noun, a simulacrum is defined as a "superficial likeness of something," serving primarily as an "imitation, copy, or representation" of an original object or concept. The podcast clarifies that the noun has two accepted plural forms: the anglicized "simulacrums" or the Latin-derived "simulacra."
To illustrate how the word functions in modern prose, Sokoloski cites an example from Robert Ross’s Robb Report. In a discussion regarding high-end audio technology, the text describes a device where "there are no strings to move the air but rather speakers that create an uncanny simulacrum of a grand piano." This usage highlights the core essence of a simulacrum: it is not the genuine article, but rather a functional or aesthetic representation that mimics the qualities of the real thing to a degree that feels "uncanny."
One of the most fascinating aspects of the word is its clear linguistic lineage. Sokoloski points out that there is "more than a crumb of similarity" between the words simulacrum and simulate. Both terms originate from the Latin verb simulare, which carries the meaning "to pretend, produce a fraudulent imitation of, [or] imitate."
Digging deeper into the etymology, the root of simulare is identified as the Latin adjective similis, which translates to "having characteristics in common." This foundational root explains why so many English terms share a phonetic and conceptual resemblance. The podcast notes that simulacrum belongs to a family of familiar terms, including:
By tracing these connections, it becomes evident that simulacrum is part of a broader linguistic framework centered on the concept of resemblance. Whether it is a literal copy of a piano or a figurative comparison in speech, the word encapsulates the human tendency to categorize and replicate the world around us through likeness.