In this episode of Before Breakfast, host Laura shares a transformative writing tip: write for the ear. While we often associate this technique exclusively with podcast scripts or speeches, Laura argues that applying this approach to all forms of writing—including emails, reports, and industry articles—can make your communication significantly more compelling and clear.
The core premise of this tip is based on how the human brain processes text. Laura highlights an insight from an editor: when people read silently, they are effectively "saying them in their heads." Because of this, writing that sounds pleasing to the ear will naturally read better. By structuring your prose as if it were to be spoken aloud, you create a rhythm that guides the reader through your ideas more effectively.
Laura suggests several actionable strategies to refine your writing by simulating the spoken experience:
Before hitting 'send' or publishing, commit to reading your draft aloud. This simple act acts as a diagnostic tool. If you find yourself "gasping for breath," it is a clear signal that your sentences are too long and need to be broken up. This physical exertion during reading is a direct indicator of structural issues in your text.
Monotony is the enemy of engagement. Laura notes that having "too many long sentences or, for that matter, too many short sentences in a row sound boring." Maintaining a rhythmic balance keeps the reader interested and prevents the writing from feeling repetitive or flat.
The structure of your sentences matters just as much as the content. Laura advises that "ending a sentence on a solid one-syllable word generally feels more satisfying" than concluding with a long, complex word. She provides a concrete example: instead of writing that something is "being clear and compelling," pivot to "compelling and clear." The shift in word order changes the cadence and impact of the final impression.
While most people reserve such rigorous editing for professional publications, applying this to casual communication like emails could yield surprising benefits. Laura suggests that if we approached emails with the intent of them being read aloud, they would not only be more "pleasurable" to read but would also help us "get our points across" more efficiently.
Writing for the ear is not just about aesthetics; it is about accessibility and impact. By treating your writing as a spoken performance, you eliminate unnecessary friction for your reader. Whether you are writing an email or a formal report, taking the time to audit your work by reading it aloud will help you identify the "problems" in your flow and structure, ultimately leading to more effective and persuasive communication.