After a period of hardship, the narrator finally enjoys a "very good meal with meat and potatoes and dumplings" at an inn. Despite the comfort of the food, his mind remains preoccupied with his "mysterious roommate." The inn is lively, filled with the boisterous crew of the Grampus, who have just returned from a "three-year voyage." The narrator observes their loud, entertaining behavior while questioning the landlord about his absent companion. The landlord explains that the man is likely struggling to sell his "wares"—trinkets, beads, and treasures brought back from his travels. With the hour reaching midnight, the landlord suggests the man might not return, prompting the narrator to retire to the shared room.
Exhausted yet uneasy about sharing a bed with a stranger, the narrator eventually drifts off to sleep, only to be awakened by "footsteps in the hall." A large, imposing figure enters the room and sets down a candle. When the stranger turns, the narrator is shocked by his appearance: his face is covered in "blackened and bruised" markings, which he soon realizes are "black squares of ink"—tattoos. The stranger’s entire body is adorned with these same tattoos.
Though the narrator briefly considers "escaping through the window," he decides against it, refusing to be a "coward." However, the situation escalates when the man suddenly "jumped onto the bed" and begins to "push and poke" at him. Fearing for his safety, the narrator calls out for the landlord, "Peter Coffin," to intervene, accusing the stranger of attacking him.
Peter Coffin arrives quickly, immediately defusing the situation. He assures the narrator that "Queequeg won't harm a hair on your head." The narrator observes that Queequeg, far from being a violent aggressor, is actually "sitting back quietly against the wall" and "smiling to himself." The landlord clarifies that Queequeg is a "native from New Zealand" and a "good fellow."
Upon hearing the landlord’s explanation, the narrator feels "embarrassed" for having "caused such a disturbance." He realizes he had been "unfair" and had made "too many quick judgments" based solely on the man’s appearance. Queequeg, acting as a "harpooner," confirms there will be "no more troubles." The tension dissipates, and the narrator concludes the evening with a sense of relief, noting that he "never had a better night of sleep in my life." This encounter serves as a profound lesson in overcoming prejudice and the importance of looking past initial appearances to see the character of an individual.