The story follows a "ragged boy" named Nat Blake as he arrives at Plumfield, an estate he hopes will become his new home. His initial trepidation, marked by his stammering inquiry, is quickly eased by the "kind words" of an old man at the gate. As Nat approaches the house through the rain, he is struck by the "warm light" glowing from the windows and the "pleasant hum of many voices," creating an immediate contrast to his ragged appearance and uncertain circumstances. The estate, with its "green grass, big trees, and a lovely garden," represents a sanctuary that Nat finds to be a "wonderful place to live."
Upon entering, Nat is greeted by a "rosy-faced maid" and finds himself in a house that "swarmed with boys of all sizes." The interior is a sensory experience; the scent of "toast and baked apples" fills the air, and the dining room is stocked with "pitchers of milk, piles of brown and white bread and perfect stacks of gingerbread cookies." The house is a hive of activity, characterized by a "constant stream of boys" sliding down the banister, playing tag, marbles, and checkers. This chaotic, joyful environment is best exemplified by a boy named Tommy Bangs, who crashes to the floor after a wild slide only to "wink" and greet Nat with a "great grin," showcasing the resilient and spirited nature of the children at Plumfield.
Nat’s integration into this new social fabric begins through his interactions with the other children. He meets Tommy Bangs, who enthusiastically welcomes him as a peer, and the twins, Demi and Daisy. Demi, who is preoccupied with a book about Greenland, provides a moment of intellectual curiosity, while Daisy offers immediate warmth, taking Nat by the hand and making him "feel right at home." Their conversation highlights the status of Plumfield as "the nicest place in the world," despite Demi’s playful insistence that Greenland might be nicer due to its "icebergs and seals."
The narrative culminates in a moment of relief and transition. When the maid returns to confirm that Nat can stay, the atmosphere shifts from anxious waiting to hopeful inclusion. Daisy’s exclamation, "I’m so glad," serves as a welcoming chorus for Nat’s acceptance. As he is led into the back room to meet "Mother Jo"—the lady of the house—and a "stout gentleman" wrestling with children, it is clear that Nat has transitioned from an outsider to a potential member of this lively, loving community. The setting of Plumfield, defined by its blend of academic structure, playful chaos, and genuine affection, promises to be the transformative environment Nat desperately needs.